Double Book Review: Bryson and Bryson

A Walk in the Woods

The Life and Times of the Thunderbolt Kid

by Bill Bryson

 

Bill Bryson and I have nothing in common.

Mr. Bryson has four children; I have three, but they have fur and feathers and shells. He moved to England after only a year in college, and spent the next twenty years or so in Europe; I haven’t been out of the United States since I was 13, and that was only for a week. He grew up in the 1950’s, when America was ostensibly at its peak; I grew up in the 70’s when America had disco. He grew up in, and has a deep nostalgic love for, the Midwest; I’m strictly coastal, and have never even driven through Iowa, where Bryson spent his entire childhood, in the same house in Des Moines. We are both the youngest, he of three and me of two, and we come from literary traditions: his parents were both journalists, his father one of the best sportswriters (Bryson the Younger tells us, but he has a valid argument) in the history of baseball; though neither of my parents are terribly literary, my grandmother and great-grandmother were both authors, teachers, and librarians. But of course, Bryson is an award-winning and best-selling author, and I just cracked 60 followers on my blog. (I thank and adore every one of you, don’t think I don’t.)

And perhaps most importantly, Bryson is a man who would, one, walk the Appalachian Trail, or at least a lengthy segment of it, and two, write a memoir about his American Heartland youth; and I am a man who would – read about both of those things.

Bryson’s writing is beautiful. This is why I keep reading his books, despite having no real common ground with him; this was never truer than with The Life and Times of the Thunderbolt Kid, when Bryson waxes poetic for nearly 300 pages about an America I know nothing about. I mean, he was the archetype: he loved baseball, did crappy in school, and had a freaking paper route, for the love of Clark Kent. Me? I played D&D and Nintendo. Hated sports. Straight A’s until I got to high school, when my grades slipped – to mostly B’s. (I did get a few D’s and F’s, and another thing Bryson and I had in common was a whole lot of truancy in high school.) He writes wonderfully about how simple and perfect was that world, a world I didn’t know and therefore don’t long for. And honestly, even Bryson’s excellent writing didn’t make me long for it. Even though the freedom of unsupervised playtime and the Golden Age of comic books do call to me, as do the unique character of a city made up entirely of local businesses, run by local people, catering to the specific needs and wants of their neighbors, whom they know personally: the department stores, the grocery stores, the restaurants, they all sound lovely indeed. But I don’t want ’em.

The same for the Appalachian Trail, the focus of A Walk in the Woods. I had two friends who walked the whole thing one college summer, and I have always envied them their experience; no more, man. No chance. I wouldn’t even do the abbreviated hike that Bryson writes about. He talks about the exhaustion, the misery, the crappy food, the monotony of the scenery, the irritating other hikers – even a little about the murders that were committed near where he was hiking while he was there, when two female hikers were killed on the trail. Never solved, at least not by the time Bryson wrote the book. It all adds up to a great big No Thanks: even with Bryson’s excellent descriptions of the glorious vistas, the fascinating (Seriously) history of the trail and the regions it meanders through, the sense of accomplishment so palpable you can feel it coming off the page.

Actually, I thought that was the best thing about both of these books: while Bryson does talk sincerely and at length about the good things about these two experiences, he doesn’t shy away from the negative side. His mother was a crappy cook, and that experience is made much worse by the total lack of culinary adventurousness of the era. His parents didn’t worry about anything, giving him great privacy and freedom – but they also painted everything with lead, asbestos, and radiation; Bryson lived through the end of the polio era, and in a time when people, who grew up in the Depression, were frequently missing limbs. In A Walk in the Woods, as I said, he goes through every painful, plodding step, making them even more vivid through the inclusion of his out-of-shape former-alcoholic friend Katz, who walks the trail with Bryson, but slower and with even more suffering. And that’s a lot of suffering.

You hear all about the bad parts, which really does serve to make the good parts seem more genuine and more warmly appreciated. It’s easy to understand how much Bryson loved his family’s unexpected road trip to a still-new Disneyland when he also talks about the usual family vacation to visit family that nobody wants to see, not even the family themselves. It’s easy to see how happy Bryson was to go home when he finished his Appalachian Trail hike when he takes you through every terrible day before that; it’s easy to see the beautiful woods he walks through when he talks about the rain and the mud and the cold.

So even though we’re nothing alike, and Bryson writes personal non-fiction, which should make it hard for me to relate to and understand his work, I am going to keep reading it: because Bryson is a hell of a writer, and he makes me like his books even if I doubt I would like him very much. Nothing personal, Bill. But thank you for everything personal you have shared with me. You keep writing it, and I’ll keep reading it.

Book Review: The Fallen Country

The Fallen Country

by Somtow Sucharitkul

I think I may have learned a lesson from this book. Actually, two.

You see, I read this book when it was new, in 1986, when I was an angry twelve-year-old boy. I was angry for the usual twelve-year-old reasons, and to the usual twelve-year-old degree – for both, the answer is “Not much” – and reading this novel, about a boy who escapes his truly awful life of neglect and abuse through his neverending rage, which takes him into a world of snow and ice, where the cold deadens the pain and his white-hot anger is a great and powerful weapon, may have helped me realize that I didn’t really have much to be angry about, and really, I wasn’t all that angry. Not angry like this character is. There’s a scene in the book where his friends accompany him to this world, the Fallen Country, and in order to take them there he asks them to think of all of the injustices they have suffered, all the torments they have endured, and focus all of their anger into helping him reach this other place; afterwards, they confess that they were thinking about – getting grounded. Or failing Algebra. Or being jealous when their crush was smiling at another boy. Only the main character is angry about the years of systematic, violent beatings he has suffered every night from his adoptive father, or the way his adoptive mother ignores this terrible abuse, along with everyone else he has ever known, who have all been unable to help him in his war against the Ringmaster, the evil god who enslaves and tortures all of the inhabitants of this magical realm.

I think now that this book may have helped me realize that I was more like the friends, and less like the main character. And that that was okay: because while his anger gives him great strength, and the Fallen Country sounds like a wonderful place to escape to – he rides a dragon and rescues princesses, slaying hydras with his ice-sword of rage – the point of the book is that this is not a good way to live. And it makes that abundantly clear: you do not want to be like this kid. Harry Potter does the same thing, shows that while it’s awesome to be a wizard in a magical world, really, it’s probably better to have parents that weren’t murdered when you were an infant. Same thing here, only more so, because the beatings that Sucharitkul described are truly terrible.

And now that I have gone back and re-read it, here’s the second lesson I learned: books I loved in my youth should, sometimes, stay there. You see, this isn’t that great a book. There are some good things about it: the characters of the friends are nicely drawn, good renditions of Average-teenage-kid; the Fallen Country is incredible, both enchanting and terrifying, poetic and with the ring of truth; the plot and the final resolution between the main character and the Ringmaster are nicely done. But the way that the abused child is rescued by the people around him, after not having been rescued in the past, is cheesy in the extreme, and very hard to believe – nobody has cared before, even though he shows up to school daily with bruises and cuts and welts; then these characters decide to care, and lo, he is saved by their caring – and the adult characters are all awful. Not terrible morally, though the abusive parents certainly are; but just unrealistic and superficial. There’s a school counselor who doesn’t realize that her job is to report the abuse until she is talked into it by one of the teenagers. Whom she also flirts with. Yikes. It feels like the author was trying to simplify, as this is intended as a young adult book, but honestly, it my be a little too dark for that; and the result is a good book, based on a good idea, that isn’t written very carefully, or very well. Sucharitkul underestimates his audience, assuming they will believe the cardboard characters, or at least not care that they are cardboard; and the same for the weak points in the plot.

You know, I wonder if the reason I liked this author so much was because none of my fantasy/sci-fi friends had ever heard of him; I discovered this book, and I was the only one who read Sucharitkul. I also remember being enchanted by the foreignness of his name; I remember memorizing the way it was spelled, and practicing what I assumed was the correct pronunciation (Since I was never exposed to any other Thai names at the time, I was probably wrong.), and thinking how cool it was that he was also an accomplished composer of classical music.

Dammit. I was a teenaged hipster. Yeah: some things should definitely stay buried in the past.