Sneak Preview! Dusty Wrote A Vampire Book!

It’s getting close, now.

The Tucson Festival of Books is one month from now. Four weeks.

This week I ordered my copies of the two Damnation Kane books, 30 of Volume I and 20 of Volume II; I should have waited, but I got worried that I might not have anything to sell at the Festival, and I hated that idea, so now I can at least be sure that I will have 50 copies of books about pirates. So I just have to hope that everyone who comes by is new, and hasn’t already bought both of those books. (Since I brought and sold the same number last year, there are at least ten people who bought the first book and not the second; so hopefully if they come back, they’ll want Volume II.)

But once I had that set, I turned to the new book.

Which was a pain in the butt.

I hadn’t put a book together at Lulu.com, which does my printing and online sales for me, for, what, three years? I forgot the difficulties in making the text look the way it’s supposed to look for the paper book. I edited the whole thing — 128,000 words, it is — and then I thought I’d be able to just drop it into the template I downloaded from Lulu. So I Control-A, Control-C, and Control-V — and the template disappears, and the text is formatted like the original document, set up for 8.5×11 pages instead of the 6×9 trade paperback format. I tried it again, same thing. Downloaded a new template, tried it again — same thing.

So I had to drop the text into Notepad: which erases all formatting.

Which included all of the italics. In 128,000 words.

But at least the margins were right.

So I’ve been going through the text and putting all the italics back. It’s been good, actually: I caught a couple more mistakes, made a few changes I like; I think the book is a little stronger for the effort I’ve put in this week.

And then when I put this chapter into this post, I realized I missed an incongruity: I changed the timeline of the book a few years, for the sake of believability for a later important chapter (where characters needed to be a leeetle bit younger), and missed one of the references I made. So now I need to double check all the time references to make sure I didn’t miss any others.

Sigh.

It’s fine. The book may not be out in time for the Festival, but even if it isn’t, I will publish it — and anyone who is interested in purchasing a copy can get it directly from me. Signed, sealed, and even delivered, if you live in the Tucson area and don’t mind me dropping by your house, or you want to come to my school.

So in order to keep you all as excited about this new book as I am, here’s another sneak preview: this is the first chapter, which comes right after the Prologue I posted before. I hope you like it!

Chapter 1

            I don’t remember dying.

            You’d think I would, wouldn’t you? The narrowing of vision as everything faded to black, the tunnel of light, the sight of loved ones there waiting for me: Gramps, and Uncle Bill, and Oscar, my first dog. If my buddies in the Army counted as loved ones, there’s be a whole parade of faces at the end of that tunnel. Though they might not be so happy to see me. I’m sure a psychologist would call it survivor’s guilt, the idea that my friends who died would hate me for living, but what the hell does a shrink know? If it’d been me who’d gotten nailed, I would have been royally pissed at everyone who made it out, who made it back to the world. Hell, I am pissed at all of you. That’s why I eat you.

            But I don’t remember any of it. The lack of memory might be because of the way of my dying: it could have been the booze, it might have been the smack, but whatever it was, whether it was cirrhosis or a heart attack or a stroke brought on by the abuse I put my body through in those last few years, I’m sure that at the time I was so wasted I didn’t feel a thing. I probably slept through my own death, which, I know, sounds peaceful and all – but I wish I could remember. I might even have been murdered, lying unconscious in an alley somewhere; I have scars I can’t account for, can’t remember where they came from – though there are plenty of ways I could have gotten those. I lived through my tour in ‘Nam, but I doubt that anyone came out of that without scars.

            I remember ‘Nam. I remember the fear, and I remember the disgust; and I remember the anger that came out of them, and made it possible to pull that trigger. More than anything I remember being tired: just wanting to sleep, sleep for years. I remember other things, too, but I don’t look at those memories. They were what pushed me into the haze of alcohol and drugs that carried me like a sleeping baby into the darkness at the end.

            I remember a few things from before the war: Mom and Dad, my sister Anne, my little brother Franklin, the farm in rural Iowa. I remember some things from after: San Francisco and the Haight, the few moments of lucidity in between stupors that could have lasted for weeks, months, or even years. I do remember a girl, kisses and whispers and silky movement under the moonlight, and for that memory, I’m grateful.

            For the most part, though, those days blended together into a thick gray fog, without beginning or end, for so long that I lost track. I wouldn’t have any idea how old I was when I died, except that I know what year it is now, and I know how long it has been since I shuffled off this mortal coil, and awoke again to see that face looming over me, awash in the haze of red light that has tinted everything I have seen from that day to this. A little subtraction tells me the answer: I was 27 when I died 29 years ago. I’d be 56 now, if I was still alive.

            But I’m not alive now, walking and talking notwithstanding. Those don’t count. You’re not alive if you don’t age: your years on this earth are nothing if there’s to be no end to them. The two absolutes are that everything must be born and everything must die; if one of those (or both) does not apply to you, then you are – nothing. My body may function, my eyes may still see, my ears hear; I may still think and feel, a little; but I’m dead. I killed myself in 1978, another delayed casualty of a war that nobody won.

            I was not reborn on that night when the vampire brought me back. I was remade. No longer human, not quite a machine, but a combination of both living thing and automaton. I am a slave, and I may very well remain a slave until the sun goes out. Who knows? Even that may not be the end. My master is a creature of the night, after all; perhaps the perfect blackness of space would be his idea of Heaven.

            Christ knows if there is a heaven like the one in the Bible, then he ain’t getting in. But then, neither am I.

            I walked into the apartment and threw my keys on the table by the door.  I was stripping off my clothes before the door even swung shut, dropping them on the floor in a line headed toward the shower. I had had to take a dip in the Bay, after, to wash all the blood off; I used the kid’s clothes to dry myself before getting dressed again. But then I had to bury him, along with his clothes, and that was a dirty business. Besides, you think the Bay smells bad to you? Try my nose on for size. Between the stink of sewage and rotting fish, the iron-scent of blood that lingered underneath, and the smells from his clothing, his sweat and soap and cologne, I felt like I would gag every time I caught a whiff of myself. The thought made me laugh. I could devour a human being with relish and pleasure, commit heinous and depraved acts at the whim of my master without batting an eye – but the smell of polluted water and body odor made me sick.

            When I didn’t stink any more, I got out, toweled off, and walked out of the bathroom. I spotted my clothes lying where I had left them like scraps of scraped-off onion skin, and went to pick them up. I went to the kitchen and pulled a large plastic garbage bag off the roll on the counter, shoved the suit into it and tied the bag closed. I dumped it outside the door, in the hallway. My laundry was picked up and dropped off each day. If they were going to clean it anyway, what did wrinkles matter, right? Besides, I had a dozen more suits just like that one – my livery, so to speak.

            I walked out into the main room of the apartment and looked around. The only furniture was the overstuffed, oversized armchair in front of the windows, the catch-all table by the door, and the stereo system that sat on the floor by one wall. I don’t have anything else because there’s nothing else I really need – not now.

            I haven’t turned the stereo on more than half a dozen times in the last two years. I used to listen to it every waking moment. The apartment used to be filled with books, and there used to be art on the walls, and even, as God is my witness, a potted plant on the windowsill. But that was before. I realized that nothing I could put in this apartment would make it anything but a cage, a kennel for the dog. So I took everything out, threw it all away because I didn’t know anyone I could give it to and I couldn’t see myself holding a garage sale. I kept the stereo because – I don’t know why. I’ll get rid of it, too. Soon.

             Suddenly I couldn’t stay in here any longer. I couldn’t smell the Bay, or the blood and sweat and the stink of humanity – but I could smell myself. Nothing in here but the stale smell of me, the hours – the years – I had spent sitting in that chair, watching the sun rise because it was the only rebellion I allowed myself, to look at what my master could not. I could smell every one of the days and weeks I had spent in this apartment, in some pathetic mockery of life; I could see it smeared on the walls and dripping from the ceiling. I had to get outside.

            I went to my closet, donned a pair of pants and a dark shirt, shoved my feet into loafers without socks, and left, throwing on my overcoat as an afterthought on the way out the door. I left the door unlocked. Any thief could have whatever he could find in there. It was all trash.

***

            I went downstairs and out onto the sidewalk, and I started walking. All I could think about with every step was how many times I had walked this way: how many times I had come up this street, gone through that door; how many times I had walked up the five flights of stairs to my apartment – no, that wasn’t right. Not my apartment: the apartment where they kept me. How many times I had washed blood from my skin and left a bag of stinking clothing in the hallway.

            Almost thirty years. And I barely remembered the first ten.

            Oh, they picked a good one when they found me, all right. Not that they knew my personality, of course, or the particular shape of the demons that drove their needles into my brain and dragged me down Skid Row to the morgue. They knew that I was young, that I had been in the military and thus had combat training, that I was big – a corn-fed Iowa farmboy – and that I had no family, proven by the fact that I died a derelict junkie on the streets of San Francisco, and my body then lay unclaimed in the morgue for a week. They might not even have cared about that last when they picked me out of the morgue drawer and laid me out for the ritual. I died young and left a good-looking corpse, and that was all they needed.

            No. That’s not true, and I knew it. They did not want a zombie: they wanted a monster. That’s why they picked me. They knew exactly what my demons were: knew that I suffered from a severe case of post-traumatic stress disorder, knew that I drank and drugged myself to death to escape the memories of what I had done. This made me even more attractive to them: it showed that I take orders well, that I would do what my superiors commanded even if I personally found it so horrifying that I would rather be dead than remember it. After all, I killed myself so that I could forget – but I did the things I wanted to forget in the first place, didn’t I? I was already a monster before I died. I was already a slave. The vampires just gave me sharper teeth.

            But dying had done what I had wanted it to do: it had given me oblivion. At least for a while. For a long while, actually; for ten years, I hadn’t had a coherent, rational thought. I don’t know why that changed, not exactly. But it had: I had woken up, and my mind woke up with me; and once I started thinking again, I couldn’t stop. So I had tried to find a different way to live with what I was. That was when I decided that hedonism would make up for the fact that I was an undead monster.

            It still makes sense, in a way. It seems to me that we all have to pay for what we’ve got. If you have a good life, you owe, and you have to pay. A debit for a credit – balance the books. If I have been given this eternal life – eternal barring a violent death, of course – then I have to do something to earn it, to be worthy of what I have.

            And what makes us worthy of life? Living to our purpose. If, say, we are here to spread the word of God, then that’s what we need to do, and the happier and more enjoyable our lives are, the harder we have to work to earn that by spreading His word that much farther.

Of course, being an undead man-eating ghoul who hurts people for a crime syndicate run by a soulless monster pretty much eliminates “spreading the word of God” as my purpose, don’t you think? Yeah. Me too.

            No, when I started thinking again for the first time in ten years, I decided that my purpose was more earthy, something simple and concrete. I figured that a creature as unnatural as me has to work as hard as possible to make life as natural as possible, and to enjoy the natural parts of life as much as I can. Thoreau would have sent me to Walden and told me to grow crops, but to me, the natural parts of life are all the things that make humans human. That set humans apart from animals. Good music. Art. Literature and philosophy and science, wisdom and knowledge and imagination.

            After all those years living without thinking, I started spending all of my time doing just that: thinking. Learning. Reading, listening, seeing. I swam in a sea of beauty and truth, truth and beauty – and splashed as well through ugliness and lies and bloody, pointless deaths that put the cap on tawdry, shallow little lives. They were the twin currents that spun me, like a leaf in a stream, for almost twenty years. When I had a job to do for my master, or when I got hungry, I threw myself into the blood, into the pain and fear and death, and tried to revel in the animalistic slaughter. I tried to feel like the predator my rebirth had made me. When I didn’t have a job, when it was just me, then I read every book I could, I listened to as much music as I could, I saw every piece of art on display in San Francisco and as many other places as I could get to within my limitations.

            And for most of that time, for most of eighteen years, it was fine – I was fine. I actually enjoyed it, enjoyed the passionate lives I glimpsed in the jazz clubs and the galleries, in the books and on the streets, sweating and loving and bleeding and crying and laughing and dying. I loved it, loved them. Loved life.

            But the more I learned to love life, the worse it made me feel when I ended it for others. Every time I did it, every time I killed, I reduced a human being from the height of divine creation and earthly evolution to a mere bag of flesh and blood and bone. The more I learned to respect and cherish those lives and all that they were capable of, the more I hated myself for ending them, just so I could go on enjoying what they had made.

            And so, when I couldn’t stand it any more, I stopped. Stopped learning, stopped living life to its fullest, because it wasn’t my life that I was living. I already threw away my life, with a little help from Uncle Sam and Jack Daniels. Enjoying my stolen life as much as possible didn’t make it any less stolen: it made it more so.

            For the past two years, then, I have been trying to live like I did the first ten years after I was remade: without thought, without any connection to the world or events around me. Maybe I’m trying to atone for my life by not enjoying it now; I don’t know. I’m trying not to think that hard about why I do what I do, why I am what I am.

            But it isn’t working. I can spend my time brooding instead of reading, hating myself and the world instead of enjoying it, but I can’t get rid of the sick feeling in my gut. I can’t seem to wash off the stink. I can’t go back to ignorance. I can’t go back to being dead.

            I wish I could.

            I looked up then and saw that I had walked quite a ways, from my apartment near Fisherman’s Wharf to Dogpatch, at the base of Potrero Hill. I realized my hands were in the pockets of my coat, and I felt my sunglasses; startled to find that I wasn’t wearing them, I hurriedly put them on. It made me notice the light in the air, that the sun would be rising soon. I needed to head back. I got my bearings, turned around – and stopped.

            I knew that Hummer.

            I dug around in my overcoat, and found what I needed in the inside pocket: a small notebook, one of those things you can pick up for a buck at any drugstore – one of those things that makes an old Iowa boy like me think, “Back in my day, we could buy that for a nickel!” I flipped through the pages, scanning the entries, glancing up now and again to check the license plate on the forest green Hummer that was parked with two wheels up on the sidewalk to accommodate the thing’s wide wheel base. And there it was: almost two months ago now, the note “tree grn Hum. 3AHN619. 2x hit.” And then, underlined twice: “FAT.”

            I believe in karma. Maybe not the karma that a Hindu or a Buddhist would know; I believe in my own version of karma. It’s back to that balancing act I think we all have to do: something good to make up for something bad. There may be a power in the universe that takes care of that for us, but I don’t have enough patience to wait for it. I like to help out. It makes me feel useful. So I keep this little notebook, and when I see somebody do something that requires punishment, I write it down – and when I get a chance, sometime down the road a bit, I carry out that punishment. This notebook is my karma to-do list.

            Here in San Francisco, I try to focus on the most common, most frustrating, and least punished offenders: bad parkers.

            If you’ve never been to San Francisco, understand this: while every city has parking problems, good ol’ Frisco has the added bonus of being built on steep hills, with narrow, twisting streets, often one-way, often with a stop sign right at the peak. So not only is parking hard to find, but actually getting into a spot can be next to impossible. Naturally, not everyone handles this challenge well; naturally, when someone does it badly – or worse, rudely – it makes an already difficult situation into a melting pot of imminent murder.

            My job, then, as the karma assistant, is to teach bad parkers a lesson, in the hopes that they will change their ways, and make every driver’s life a little easier.

            This particular twit had, my note said, smashed into two cars while I watched – front and back – while trying to pull out of a space, and then driven off without even leaving a note. And because he drove a Hummer, his damage had been minimal, and all to the bottom of his massive black bumpers; but he had torn huge gashes in the hoods of both other cars. I had been hoping that I would have a chance at this one, and here it was. Just when I needed it most.

            I glanced around quickly to see if anyone was watching; it wasn’t yet dawn, though it was close, and the streetlights were just flickering off. People would be moving around soon, but right now, they were still hitting the Snooze button or getting into the shower. I had a few minutes.

            I moved around to the street side, the driver’s side, and lay down on my left side next to the mighty green beast. I reached under and took hold of the front axle, just behind the wheel, with both hands, and then I squeezed and twisted. Slowly and carefully, because I wanted to get it just right. Another little twist, and – there! The body of the car settled, just a little bit, but it held when I let go. I rolled over to my other side and turned around, and then did the same to the rear axle, crumpling the metal just enough to make the chassis sag maybe an inch, but no more. Then I slipped around to the sidewalk side and did the last two wheels.

            My goal here was simple: I had observed that the driver of this Hummer was, shall we say, built proportionally to his grossly oversized vehicle – hence the subtle notation “FAT” in my notebook. If I did this right with the wheels, then he wouldn’t notice anything wrong with his car until he sat in it – when the axles would fail and the wheels would all fold, and the whole thing would come crashing down. He wouldn’t even be able to get the thing towed, not without on-the-spot repairs of some kind, or else a crane. Which served him right. Really: how hard is it to leave a note? You can afford a Hummer, but not the insurance bill? How about two new axles, pal: can you afford those?

            I finished, and slid out from under the metal behemoth (which now rested on dainty girlish ankles, so to speak). I nearly queered the whole deal when I nudged it with my shoulder as I twisted my torso to get my hands under me; the metal groaned slightly and quivered, and I went absolutely still, holding my breath and waiting. It didn’t fall. I scooted a foot away and then came to my feet quickly, dusting myself off and checking for witnesses. None. I was clear.

            I just hoped the owner moved quickly, too, and jumped in before he discovered what I had done to the Hummer. But even if he didn’t get to sit down harder than he expected, I still got to cross this one off my karma to-do list, and there’s nothing better than completing a to-do list. Maybe I should make myself a complete self-improvement list – you know, things like “Adjust to new lifestyle” and “Learn to accept adversity with a zen-like serenity.” Maybe even “Free self from magically enforced servitude.”  But at any rate, I felt better now than I had when I left the apartment. My head felt clearer.

            I headed back. Home.

Thrill Time

I’m excited about this.

I’m nervous about it, too: and also somewhat conflicted. But mainly, I’m excited.

I’m going to publish a new book.

Part of the conflict in me is that it isn’t the book I intended to publish. I regret to inform those who are waiting, patiently or impatiently, that I am not going to be publishing the final volume of The Adventures of Damnation Kane this spring. I won’t have the book finished in time for the Tucson Festival of Books, which was the immediate deadline I was trying to hit; I worked on it all through the end of 2022, but I realized that I wasn’t going to be able to get it done AND make it good in time for the Festival. I’m not going to bring out a book that isn’t good: but I very much wanted to bring out a book for the Festival. I spent a bunch of money on a booth, and I didn’t want to be there with only the same two books I had last time.

So instead, I am going to publish a different book.

It’s a book I wrote some time ago, and I think it’s one of my best pieces of work — honestly, better than Damnation Kane, though there are lots of things about my pirate story that I love unreservedly. But there are limitations in the Damnation books, and this one really captures the kind of writing I want to do, the kind of writer I want to be. It’s an urban fantasy novel, dark almost to the point of horror, with a total smartass for a main character; I think it captures the same tone that one of my fantasy writer heroes, Jim Butcher, has mastered with the Harry Dresden books, which I think is one of the best series and one of the best characters since Tolkien.

And that’s the other conflict for me in publishing it. See, this book got closer than anything else I’ve written and submitted to actually getting picked up by an agent, and then (presumably) by a publisher. Jim Butcher’s agent read the first chapter, and then asked to see the first 50 pages of the novel — the only time in fifteen years of writing and trying that I have not simply been rejected by an agent. She then turned it down, but still: I thought this was my best shot at getting an agent, and getting published by a traditional publishing house. And I’ve been holding the book back, refusing to self-publish it, because I still dream of finding representation and a legacy publisher to produce my work. That, along with winning awards and worldwide fame and wealth, is the last ambition I have as a writer. I’ve already done the main things, the big things: I’ve written books, good books, and had people buy them, read them, and tell me they are good books. That, for me, is success. I am enormously proud of my accomplishments as a writer.

But there was still that one remaining ambition: and this was the book I meant to use to achieve it. (There’s another book I’ve never published, but that’s because I don’t think I can publish it under my name unless I quit teaching first. That’s a whole other thing.)

But I realized: first of all, though I think this is a good book, I don’t think it’s the best book I’ll ever write. I wasn’t one of those flash-in-the-pan literary prodigies who created my one good work before I was 25; I think I’ve gotten better with every book. I’m hopeful that the last Damnation Kane book will be even better than this book, and the one I write after that will be even better than both of them. I think my last book will be my best book, and I’m a long, long way from my last book. And secondly. just because I publish these books myself doesn’t mean they can’t be picked up by agents or legacy publishers; at this point, honestly, my publication of my books is also my best advertising for them, so making this book available is the best way for me to get it noticed.

And finally, you know what? Even more than I want to use this book to get published, I want to share it with people. I want people to read it. I want you all to like it. Maybe even love it. That’s really why I write, after all: because it’s fun, and inspiring, and meaningful; and I want other people to find the same fun and inspiration and meaning that I find in the words.

So to that end, I’m going to post the first chapter of the book, which captures the spirit of it, and which gives a good idea of what the book is about. Sometime soon I will be able to post the cover of the book, and sometime soon after that I will be able to make copies available for purchase: and I hope that you all will be willing to buy it, and read it, and — I hope — enjoy it.

Let’s start with this.

The novel is called BRUTE.

(Content trigger warning: this scene includes violent death and, well, nasty stuff.)

BRUTE

Prologue

I see him, though he doesn’t know it. I see him watching. Watching me.

            He leans against the wall, shadows draped across one side of his face, the other side glowing in the harsh light from the halogens above. There’s a bored expression on his face as he sips Coke through a thin red straw, like blood through a tiny vein. His head turns from far left across to far right, then down to grab the straw with lips and tongue and drink another sip.

            He is too young to be here in this club, so I doubt there is rum in the glass, but I am too far away to smell it and know for sure in this air, crowded with the scents of too many. He looks soft and well-fed, his clothes wrinkled, torn, savagely black; but they are soft, too, and nothing to do with work. His soft hair is dyed black, as well. To me, he looks wealthy. Spoiled. Probably the neglected child of a powerful parent. I bet he got into the club with a last name instead of an ID.

            He went straight to that wall when he arrived, and his eyes immediately began roving, searching for someone cool. But since he saw me, his gaze has hurried over the rest of the club so it can linger on me, concealed by his lashes as he sips his drink.

            He wants to be nonchalant, so he keeps his distance. That all-important distance. Nothing can be allowed to break that shell of cultivated boredom, the complete alienation which separates him from the unwashed masses, who can’t possibly understand his pain. Maybe – maybe – I can.

            I might be what he wants me to be. What he hopes I am, the thing he has hoped to find. But I also might be a freak, a loser; and if I am, he can’t be seen showing any interest in me. I am wearing a dark fedora forty years out of style, and a dark overcoat, dark leather gloves, and heavy sunglasses – at night, in a bar, on a warm spring night in San Francisco. I sit alone in the bar and sip my drink, and nobody talks to me and nobody looks at me. These things have intrigued him. So he watches.

            Of course, he might simply be gay. I do look pretty damn hot in this hat. Either way, I don’t want him to approach me in here. I am curious about the pickup lines he might use: maybe something like, “Pardon me, but you look like someone who understands the cosmic loneliness that envelops us all in a cloud of neverending night. Can I buy you a drink to drown our sorrows in as we wait for the inevitable curtain to fall?”

            Actually, that’s not bad.

            I take a deep breath, enjoying the harsh antiseptic smell of my gin and tonic, and then I down the last swallow in the glass, tasting nothing. I drop money on the table, enough to cover the tab and a generous tip for the waitress, a pale, pretty redhead who had served my drink without trying to see what was behind the sunglasses. If she had tried, and succeeded, then she would have gotten much more than money for her gratuity. She would not have wanted it.

            I walk out past the bouncers, through the short maze of corridors that once connected the office spaces to the open central area, back in the 70’s when this was a warehouse. A sweatshop, actually: three hundred and fifty Vietnamese women stuffed behind ancient sewing machines dangerous with exposed gears and needles that punched through fingers as easily as cloth. They spent sixteen hours a day in here, making those tiny American flags – the ones that people would wave on Memorial Day to honor the men who died in Vietnam.

Sometimes the world paints the irony with a heavy hand.

            The sweatshop had been closed down thirty years ago amid headlines and indictments, and the warehouse had sat empty for fifteen years before it had been bought and converted. But very little had changed. The doors were scarred steel on rollers, the walls were ugly exposed brick, the lights were harsh and unpleasant. The lights were not supposed to make you relax, they were supposed to make you feel watched. Seen.

            The corridors, once intended to slow down any government officials who happened to come in the front so the workers (or at least the owners) could slip out the back, now served as a sound baffle, dulling the edge of the industrial music that rattled the club during drinking hours. Not that the people in this neighborhood would complain about the noise. The warehouse was the last stop on the way out of a depressed and crumbling industrial zone and into the dead and rotting tenements that had once housed the workers, who were now dead and rotting themselves. The tenements now held nothing but the fear and pain and desperation the people had left behind, smeared on the walls like soot, blowing in the wind like cold, greasy ashes. That wilderness of old pain is what draws us here to this club, both me and that kid – who watches my every step as I leave – though we come for different reasons. He and others like him come here because the surroundings confirm what he always suspected about the uselessness of it all.

            My reason’s easier. I love the night life. I love to boogie.

            I grin as I walk out into the night and take a deep breath of the clammy air. I can smell the Bay, of course, because that’s what you do when you breathe in San Francisco, but I can also smell the heat and the sweat oozing out of the club. I can smell the musky scent of those who come here to hunt, and the quivering eagerness of those who know they are prey and come here because they wish to be hunted, to be taken, and devoured, and freed. I smell beating hearts and moist palms, clenched stomachs and lungs shivering like a new butterfly’s wings. A line of slaver runs down my chin and I wipe it away with one gloved hand. My grin widens into a smile I couldn’t wipe away if I wanted to.

            Quickly now: into the darkness. He’ll know where I’ve gone. It will make him follow all the faster.

            But before I make it to the corner and turn into the deep shadows there, I am impressed. He steps out from an alley that runs between the warehouse and the moldering brick building beside it. He is in front of me. He used a back door and made a good guess about which way I would turn – a good guess if I am not predictable. I hope I am not predictable. He plants himself boldly in my path and he smiles.

            His eyes widen when he sees my teeth, which are now grown too large and numerous to cover with my inadequate lips. They are not a human being’s teeth. But they are also not the teeth he expected.

            He falters back, just a little, and I quicken my step. I shove past him, hard. I hate being surprised. I do not like to be seen, like this. As I shoulder past him, I can smell – everything: he is afraid, and both excited and angered by his fear; his cologne is good, understated and expensive; his clothes smell rich, clean; his fingers smell of tobacco, his wrists and chin of the filet mignon he had for dinner; his lips and tongue smell of Coke and dark rum – he is older than I thought, or else he snuck a bottle past the bouncers.

            The hunger wakes up and roars inside of me, making my head spin as it drives iron spikes into my spine. But that doesn’t matter. He has seen. I’ll kill him for that. But later; not tonight. I wasn’t ready for him to see me, and that makes it all wrong, ruins the whole deal. I’ll find a wino, an alley crawler as usual. I quicken my step, lean away from him into the night.

            “Master, wait!”

            Around the corner and into the dark, I pause. He stumbles after me, stuttering to a halt ten feet behind my back. I close my eyes. I don’t want this. Fear is good, fear is fine, but horror and disgust are not. I have learned this. But then his scent trickles into my nose, and brings the truth, for scents cannot lie. He is not disgusted. He is – eager. And still afraid. He smells of sweat and adrenaline, and dry eyes opened wide.

            “Master. Please.” He takes a hesitant step toward me and holds out his hand, the thread of tobacco and tender meat rising in the tapestry of his scent. The spikes drive deeper, into my neck and the base of my skull and the hinges of my jaw.

            Very well. I cannot fight it. I have nothing left to fight it with. I have learned this, too.

            I take off my sunglasses, slowly, though I do not turn to face him. “Who dares to speak to me?” I ask. I growl to hide the slight lisp from my teeth. My part doesn’t call for a lisp.

            I know this role, this scene, quite well. I have read the same books he has, I have seen the same movies. I know why he was hanging in the darkest, most depressing nightclub in town, and I know why he picked me out and followed me away from there, to this place, which is even worse. He has convinced himself that what he saw of my teeth, what he saw when my human mask slipped, is false. A trick of the light, no more. Surely I have only two oversized teeth, instead of a mouthful. And now that I have spoken, in a dark voice full of menace and arrogance, now he is sure he is right. He is sure that I am a Childe of Darkness, One Who Walks With The Night, a godlike immortal who drinks the precious nectar of life, the blood of the innocent.

A vampire.

            He takes another step toward me. “I am nothing compared to you, my lord – uhhh, Master.” He pauses, probably mortified that he stumbled over the proper honorific. Does Miss Manners prescribe a form of address for someone who is about to kill and eat you? He goes on. “I am one who seeks to serve you. Who wishes to become like you. Who wishes to receive the gift of immortality.”
            I almost ruin the scene again, by laughing. That’s the second biggest lie in the books and the movies: that you can “earn” the gift, that it is given for love or as a reward for services. If you catch their attention and impress them enough, we are told, you will be made one of them. What a crock.

            The biggest lie, of course, is that it is any kind of a gift at all.

            I haven’t responded, haven’t moved an inch, but he starts smelling encouraged. Probably because I haven’t laughed at him. He expects to be laughed at.

            “Why would you serve?” I ask in a low voice, just a murmur.

            He takes another step, and now I can hear his heartbeat, the racing blood that stains his pale cheeks red and brings the heady scent of warm flesh closer, closer. “Because. Because I want to show them. I’m going to show everybody.” He sniffs, and I can smell just a trace of tears, tears and anger. “I’m going to show them why they shouldn’t laugh.”
            I understand, though I wish I didn’t. It would be easier for me if I didn’t understand. Or if, like my masters, I understood but simply didn’t care. If I didn’t understand I could walk away, despite the pounding steel hunger. If I didn’t care I wouldn’t want to walk away. But then, if I didn’t care, I would be something I don’t want to be, something I have not yet become.

            Not yet.

            He takes another step. “Master, please. Take me. Take me with you.”

            The smell of eagerness rises, like an electric current running through musk. The smell of his adrenaline, coursing, rings through me like a bell in my ear. The hunger drives all else out of my mind.

            He is three steps, then two steps behind me now, close enough to hear me as I whisper. “Do you know what you ask? Are you sure you want what I offer?”

            One step. “Yes, Master.”

            I give him what he wants.

            When he is dead, I sling him over one shoulder and start running. His weight is nothing to me. I wish I could fly. They can fly. That’s one thing the movies got right. But thinking of them reminds me of what else I’d have to do if I could fly, if I was like them, and then I don’t want to fly any more. Running is fine. I never really get tired, after all – just hungry. Like now.

            I get him away from the streets, down by the edge of the water, and then I throw him down. His head flops on his broken neck, and his eyes look up at me, glazed in death but still somehow accusing. He expected me to embrace him, to plunge my fangs into his throat – not to kill him quickly, simply, with a single twist of my hands. His face is the face of thousands just like him, thousands who haunt the dark places, who dream of dark things. If he had been less desperate or less determined, if he had let me leave without seizing the moment and chasing after me, then he might have lived out his life as the rest of them do: never catching more than a passing glance at the things that live in the dark places. Things like me.

            I take a deep breath to make sure nobody is nearby. I smell only death: the dead fish in the Bay, the body someone buried over there several months ago – smells like a wino, curdled and rotten before he even died – and, of course, the dead man at my feet. My stomach rumbles then, and it takes a lot of willpower to resist it. But I like this coat. I close my eyes as I strip off my clothes, and again I inhale deeply, filtering out all the scents but his: again I smell the meat and the liquor on his tongue, and the fear and the pain that are ripe on his flesh. And I hate that he smells that way, because I love it.

            And when I am naked and ready, I dive in. I tear his clothes from him because they would stick in my teeth, and then I feed. It is not the beautiful moment he expected, that essentially erotic coupling that is the vampire’s kiss. I am a predator, and he is prey. That is all.

            I eat his tongue first. Fear makes the flesh salty, and pain makes it bitter, and both are good. But it is only when I eat their tongues that I can taste what I really want, what I haven’t had for thirty years now: the taste of food. Cooked food, the food a man would eat, instead of this dog’s dinner that I get now, the raw flesh and cooling blood of the kill. I tear the meat apart with my teeth: the jagged, cutting teeth of a shark, rather than the graceful fangs he expected. He wanted them to be fangs, he wanted me to use them to take his blood, just as he wanted me to make him my slave. He had that part wrong, too. I’m the slave. I’m not the master, because I’m not a vampire. He wasn’t the beloved vessel that holds the stuff of life which the vampire craves; the red blood, the passion, the warmth of life, the caress of the soul that runs through it.

            He’s nothing but meat for a ghoul.