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Full Offense Meant.

Dusty Leave a comment

(Warning: this blog is upsettingly, egregiously offensive. I got very exercised by what happened here, particularly because it concerns my wife. The language here is not safe for work, and not appropriate for innocent eyes. But I will not lighten up.)

My wife had a thought.

“I would like to put out a thought that I had today.
Our economy as a country, as a world is going to suffer from this pandemic. Hopefully the government will come through on some kind of relief for business but we all know that most of us small businesses will not be offered the same kind of relief, if any, that the larger companies will get so I propose this: let’s start a movement of sorts.
Let’s as a country, hopefully as a world, make a pact to buy gifts only from small businesses this year, birthdays Christmas, anniversaries, weddings, etc. Buy in person from a local small business or online from one farther away. Let’s not forget the entrepreneurs who create everyday without the safety net of a regular paycheck in this time of crisis.

We’re all in this together.

Thank you.”

It’s a good thought. There are pretty clearly two stages to this whole crisis: the first stage, the one we are in now, is when we focus on mitigating the pandemic, limiting the spread of the disease, flattening the curve. Here is where we sacrifice for the greater good: we stay home, we distance ourselves from one another and limit contact with other humans. We do what we can.

We lose our jobs. We can’t pay our bills, and we have to borrow money or beg for help. We might lose our homes, and our businesses.

All of us are at risk. (Of course the very wealthy are not at risk as they are never at risk; I don’t include them in “us.”) All of us are feeling some of the same fears, and the same pressures: we feel the need to do something, anything; but we also know that the best thing we can do is  — nothing. Stay home. Stay away.

It’s terrible. I want to go to school, if you can believe that. I actually want to teach. I want to talk to my students, reassure them that everything will be fine. I’m good at that; they like and respect me, and they listen to me, at least partly because I listen to them, and partly because I am honest with them. And that is the honest truth: everything will be fine. In the grand scheme of things, that is, because of course some people will suffer mightily as a direct result of this disease, some people will lose their lives, others will lose their loves. But that is inevitable, and even in the face of the greatest loss, everything will, so much as it can, be fine. I feel comfortable saying that, and I wish I could say it to my students. I wish I could give them some normalcy.

There’s an old regret of mine: I was teaching on 9/11, in 2001. It was my second year as a teacher, only a few weeks in; the students barely knew me, most of them, but they already generally liked me and trusted me. The planes had already hit both towers and the Pentagon by the time I got to school, 7:15 California time; I was watching in the office, open-mouthed, as the first tower collapsed. The next four classes I spent watching news updates on the classroom TV, talking to students, telling them what we knew (not much) and reassuring them as much as I could (even less). They kept asking me if we were going to be sent home, if the district would close schools; the news kept showing other school districts doing just that, and I was waiting for the same thing, without any answer as to why they didn’t; I had no idea what the district was expecting us to do, other than watch news updates and talk about what little we knew.

My last class, though, as soon as they came in, they asked me if we could turn off the TV, and not talk about what had happened; I said, “No problem,” and turned it off. “”What do you want to talk about?” I asked. The same student, speaking for the class, said, “Can we just do English?”

So I taught English. I taught Antigone, Sophocles’s third play in the Oedipus cycle, about family and death and respect and the law. It was awkward and terrible, and I hated it. I hated that I did that: it felt disrespectful to those who had died, and those who were dying, right then, the first responders in New York who were being buried in rubble and dying in fires.

But now I’m realizing that teaching Antigone was the best thing I could have done. I showed at least one class of students that things could still be, if not normal, at least nodding towards normal. It didn’t change the situation, but it did show them that the situation would change: that no tragedy, no crisis, howsoever devastating and all-encompassing, could last forever or take over every  part of their lives.

I wish I could do that now, for my students first, but also for everyone else.

But I can’t. I can’t fix this problem, and I can’t make it seem less than it is: because here I am at home, instead of at work, and instead of talking to my classes, I’m writing this blog. And the worst part about this is that we don’t know how long it will go on– and we don’t know how much it will help. I hope we all know by now that we’re doing the right thing, but we don’t have any idea how much of a difference it will make. Especially for those who are harming themselves through staying at home — losing income, losing business, suffering the emotional effects of the crisis and of the quarantine — not knowing how much good it’s doing and not knowing how long it will last is absolutely devastating. Because we can’t do the usual calculation necessary with altruism: how much good can I do with this sacrifice, and how much will it cost me? We just don’t know. Because the disease is new and unknown, and also because our government is still scrambling to figure out its response, we just don’t know.

And that’s just the first stage of the crisis.

The second stage is the aftermath.

There’s some indication that things may be improving: China, after instituting serious quarantine measures, has reported no new cases in the last 24 hours. (Yeah, yeah, I know — if we believe them. And they should not have covered up the beginnings of the epidemic. But if you for one second think that our government, that any government, wouldn’t have done precisely the same thing for precisely the same reason, you weren’t paying attention when our government did precisely the same thing for precisely the same reason. Or that other time our government did precisely the same thing for precisely the same reason. Or that other time our government — you get the point.) People are, in fact, making this sacrifice for the greater good (Most of us. For the people who are ignoring the greater good because they still want to get drunk for Spring Break, or because they don’t want to miss out on the father-daughter dance, and especially this douchebag, may I tip my hat with a hearty Fuck You.) despite the pain and uncertainty I’ve been talking about. And though this hurts, and though the benefits are uncertain, it is absolutely true that as a group, we are making a difference, we are doing the right thing. We are saving lives.

But what happens once that ends? Once the disease slows down or stops (It’ll never go away, I know, but it will hopefully join the ranks of SARS and MERS once this pandemic spread stops and we have successful treatments and reliable tests and, especially, a vaccine), and people can go out again — then what?

Our president says that the economy will come roaring back, and be quickly stronger than ever; but our president is a lying fucking idiot, so that prediction can safely be ignored. The truth is that some people may still be generating income, and will have built up plenty of money and be desperate to consume; but for the most part, people are going to be either more cautious, or broke. Many of us will be looking for jobs, and will have accrued pretty serious debt while having been out of work. And since many of those jobs existed because of the demand created by the booming economy and the low unemployment and the high consumer spending that resulted, it’s going to be slow to recover — and the federal government having completely shot their wad in emergency measures to stanch the bleeding during this quarantine (It was the right thing to do and I’m glad they did it, but still) will be unable to do much of anything to make it better after we all get to go out again.

Which is where we come back to my wife’s good idea. Because as she says, the small businesses, the ones without large cash reserves or the potential to create savings by cutting costs without closing the company down entirely, are the ones that will suffer most during this. They are the businesses that will be slowest to recover because their profit margins are smaller. And they are the ones that are most critical, because somewhere around 50% of Americans work for small businesses. Even more difficult in terms of survival through the quarantine and then recovery afterward, 16 million Americans are self-employed, and self-employed workers and those working for them account for 30% of the workforce. At the same time, of course, the rest of us (mostly) will not have a lot of money or a whole lot of confidence about spending everything we’ve got in supporting small businesses once we get to the second stage of this, the long, difficult economic recovery period.

So this is why this is a great idea. Not “SPEND EVERYTHING YOU HAVE AT SMALL BUSINESSES!” Not, “GIVE ALL OF YOUR MONEY TO SELF-EMPLOYED ARTISANS!” Just — gifts. Occasional, special purchases, when you generally want to get something more unique, better made, more thoughtful and meaningful. When you might be willing to spend a little more money to show you care. Not every time, not every gift, of course not; but when you are looking to spend a little bit more, be conscious of where you spend it: make an effort — not “FEEL A MORAL OBLIGATION” — to give something nice to two people, both the person receiving the gift, the small business or individual creator who would love to sell you the gift. Do what we can, when we can; not the primary focus, not our personal responsibility — just a little more thoughtfulness, that’s all. And not, of course, right now (Though honestly, if you are one of those people who has some extra money right now, even though most of us are not in that situation, if you could send a little of that extra  money an artist’s way, help them pay their bills and eat while they are giving up the markets and sales opportunities currently cut off by quarantine, that would be wonderful), but mainly going forward, once we are into the second stage of the crisis.

Which is why it pisses me off so much that someone out there  felt the need to send my wife this message on Facebook:

3265DAA1-2DE5-4AEE-987E-852BEBB3160F

This was actually the middling-worst of the three negative responses she got: one dude that I know commented, on my post sharing my wife’s thought, that he saw no reason to spend more money at small businesses when he can get everything cheaper at Walmart. Okay, sure, fine; that’s your choice, even if I don’t agree, but I’m not sure why you need to share that, so I just pointed out that gifts often cost a little more and we are willing to spend a little more, but if individuals are happy with the cheap shit they get at Walmart, go off, king. And there was another guy who was much more accusatory and insulting to my wife in a separate message, calling her selfish for asking that people spend money at small businesses instead of large businesses that employ more people and (in his view) do more for the economy.

To both of those anonymous commenters accusing my wife of being selfish, I have this to say:

(Warning: this is going to get profane. And considering how much I swear casually, please take that warning seriously.)

Fuck you. FUCK you. Fuck you for being as stupid as a shit-stuffed carcass of a dead fucking tapeworm, and fuck you for being so fucking callous and devoid of human feeling that you somehow fucking think that an artist asking for people to buy art is fucking selfish. Fucking what? Motherfucking selfish, to advertise one’s craft? Even apart from the effort — no, fucking wait, I will not put that aside: you shit-stupid fuckbrain, do you have any fucking concept of how hard it is to make art, how much of a person’s (That’s a human fucking being I’m speaking of, not the syphilitic wart on a baboon’s dick, like you) soul has to be put just into generating the work? How much time and effort and confidence an actual fucking artist needs to put in to make actual fucking art? Not only in the crafting of a single piece, but in the years, the DECADES, the MOTHERFUCKING LIFETIMES that go into the training of the mind and eye and hand and heart, the sensitivity and altered perception required to conceive of art  in this bleak, heartless world — made even more bleak and heartless by diarrheal hemmorhoids like you, you fucking twat — and then the discipline needed to turn that concept into an actual piece of craft? Of course you don’t: your skull is too full of that bullshit you’ve been lapping out of your own ass. But even though you couldn’t ever understand what it takes to be an artist, you dick-shitting fuckbucket, maybe, considering how appallingly, grotesquely self-centered and insensitive you are, you could potentially grasp how vital it is in a capitalist, individualistic society, for everyone to promote their work, their company, their source of income? Did you somehow miss that advertising and public relations are the heart of our society, in every single aspect? Are you so fucking blind (Must be the fucking syphilis — or else the shit in your head is leaking out of your eyesockets) that you didn’t see that literally the only way the free market could ever function is if people are aware of the products for sale? That our entire goddamn society, our way of life, is reliant on people holding up signs that say “BUY THIS HERE?”

And then, because this is a free society, a free market economy, allowing people — people, not you, you pus-blooded vomit-eating whoremonkey — to make their own free choice of what to buy and what not to buy?

Apparently you also missed that this was a GODDAMN MOTHERFUCKING POST ON FUCKING FACEBOOK AND IF YOU DON’T FUCKING LIKE IT YOU FUCKING KEEP FUCKING SCROLLING, YOU GANGRENOUS YAK-SCROTUM!Dory

Just fucking move on. You can fucking smile when you do it, too.

Kermit

If the fucking message doesn’t speak to you, how fucking manically arrogant do you have to be to think that you need to respond to it? Fucking walk, you fucking mook.

Thinker

I expect you not to think, but that you would take extra time and effort to hurt someone who clearly wasn’t speaking to you, clearly wasn’t someone you care about or agree with — who the fuck are you?

Noharmdone

I mean it. Fuck off. The bunny hates you too.

Deniro

 

Because not only am I an artist who will defend other artists, I am a human being who understands the need to both support our fellow human beings and also the vital necessity of allowing other humans to be humans themselves, to allow them to put forward their ideas, their opinions, and their art, AND their business, without being criticized for simply speaking out — especially when they, like my wife

*DEEP BREATH*

ARE NOT EVEN FUCKING ADVERTISING THEIR OWN FUCKING ART BUT ARE JUST BRINGING UP A THOUGHT THAT PEOPLE SHOULD CONSIDER AS A WAY TO SUPPORT AN INCREDIBLY IMPORTANT PART OF OUR ECONOMY AND OUR CULTURE IN ADDITION TO JUST BEING PEOPLE, SMALL BUSINESSES AND INDIVIDUAL CREATORS ARE FUCKING PEOPLE AND IF YOU’RE TRYING TO BE KIND TO PEOPLE YOU SHOULD FUCKING BE KIND TO THEM, AND MY WIFE, WHO IS THE BEST AND MOST KIND-HEARTED PERSON I KNOW, WAS JUST TRYING TO SUPPORT OTHER PEOPLE DIDN’T EVEN MENTION HER OWN ART EVEN THOUGH SHE IS A BRILLIANT ARTIST AND SHE IS SUFFERING IN THIS QUARANTINE JUST LIKE EVERYONE ELSE BUT SHE DIDN’T FUCKING MENTION THAT DID SHE, NO, SHE DIDN’T EVEN DO WHAT I WOULD HAVE DONE AND THROWN IN A LITTLE “LIKE MY ART, MAYBE” SOMEWHERE IN THAT REQUEST, THERE’S LITERALLY NOTHING HERE THAT COULD EVEN BE CONSTRUED AS FUCKING SELFISH BUT THEN YOU HAVE TO COME ALONG AND SHIT ALL OVER IT AND HER AND FUUUUUUUUUCCCKKKKKK YYOOOOOUUUUUUUUUUUUUUU.

 

So. Like my wife said. We are all in this together. I want to thank everyone who is sacrificing for the sake of others’ health and survival, and express my sympathy and my support for people who are being hurt by that sacrifice. I will do whatever I can to help you, both now and in the second stage of this crisis — and even after that.

But if you are the kind of person who would say this shit to my wife, get the fuck off of my world.

I mean, it’s kinda new.

Dusty Leave a comment

New Year, New Me. Right?

Not really, though.

Nothing much changed for me in 2019. I’m still married to the same perfect woman, who still enchants me with every breath and every glance; I’m still pet-parent to the same two dogs, the same tortoise, and the same (occasionally obnoxious) cockatiel; I’m still teaching at the same school — which means I have many of the same students — and still writing, still working on the same time-traveling Irish pirate story, still not writing enough and still mad at myself about it.

I’m still upset about the state of the world, still ambivalent about what I should be doing about it beyond what I already do.

And of course, I still hate Trump.

There are some changes. My wife has made big changes, which of course affect me, mainly by making me proud: I am enormously, heart-shakingly proud of her strength, I am proud of her incredible talent and imagination, I am proud of the world that it has continued to become more aware of how amazing my wife is — and it is finally starting to reward her for her never-ceasing efforts.

We moved into a new house, which is smaller and cheaper than the last; it’s been nice to ease the financial burden, and it’s showed us how much room we actually need (More than this place, less than the last), and that, after seven residences in the last six years, we would really like to set down roots and own a home again. Though I am wary of the potential coming economic crash: last time, we bought a house just before the economy burst into flames; I’d like to be a little more careful and intentional this time. So maybe that’s new.

I did manage to sell my books, though still not to a publisher nor an agent; I sold them directly, at the Tucson Festival of Books. Not the vision of authorial success I once had, but nonetheless: standing behind a table and talking to people about my book, and watching them agree to buy it and hand over money, was an extraordinary feeling, one I hope to repeat this year. And I did start sending out queries again, because my wife has shown me, as she always does, that artists don’t give up. Ever.

I was a better friend this past year than I have been in a long time; I grew closer to the people whose company I enjoy and whose support I rely on, and I’m happy about that.

And, of course, I’m one year closer to dying, whenever that may happen; but I still don’t care. Death comes for all of us, and I see no reason to spend any time watching it come. I hope, and I try to behave so that I will welcome it when it comes and pass away with no regrets; but if that doesn’t happen, if it comes too quickly or I have done the wrong things, still I would rather have lived than not have lived at all; still I am happy and grateful for the time I have had, the memories I have created (and even the ones I have forgotten), the people I have known, and the deeds I have done.

 

I don’t have wisdom to share: if anything, this year has taught me more than most years about how naive and ignorant I still am. I am writing this on a whim, and trying to decide if I should continue whimming on this blog for this coming year. I dunno. It’s good for me to write, but I have to write the third book in my pirate trilogy, and I want to get it done ASAP, because I have several more ideas I want to pursue — but first, I have to finish a story, something I still struggle with. I have no idea if this blog is good for people to read. I  hope so. I hope this is a good thing. I intend to continue doing the same good things into this next year, hopefully make some good changes, hopefully continue to learn and grow.

One thing is for damn sure: I’m going to put in time and effort to make sure that Donald Trump is voted out of office in November. So I warn you now, this blog will likely become much more political over the coming eleven months. It will probably get agitating to those who read this regularly, but I don’t care (No, I do care: and I’m sorry. But also, I’m going to do it anyway.). We all need to be agitated, because the alternative is complacent: and that’s how we got into this mess in the first place.

 

I wish you all, and myself, a wonderful new year, full of hopes and fulfillments. Let’s make this one a good one.

This Morning

Dusty Leave a comment

This morning, I am done with grades. This morning is the last of my school year.

This morning I received notification that California has approved my application for a teaching license. This doesn’t change my immediate plans, I will still be staying in Tucson for the next academic year; but it gives us more options for the year after that. It also shows, I think, that my sordid past is now behind me, because if even the champion nanny state approved me, I don’t think anyone will say nay because I was mean on a blog almost ten years ago.

More importantly, this morning is the last of my wife’s career as a teacher. She returns now to doing what she always should have been doing: making art full time. She has been a wonderful teacher, who has helped many students to improve their skills, gain confidence and interest in art, and especially to see the world in a different way; she will be sorely missed at school. But this is the best thing for her, and this is what is right: because look. Just look.

 

 

 

So congratulations, Toni. You have more than earned this. I am so proud of you for what you have done as a teacher, and I’m even more proud that you are walking away from it to dedicate yourself to art. You amaze me every day.

Especially this morning.

This Morning

Dusty Leave a comment

This morning I’m thinking about crime and punishment. Sin and redemption, maybe.

Our school got vandalized this past weekend. The new mural, which my wife’s art students have been working on for months, was severely damaged: they spraypainted racist and sexist words, large phalluses, and extremely stupid pro-drug comments all over it. We don’t know who did it, but whoever it was clearly targeted the mural specifically, as nothing else was damaged (A couple of small tags in the parking lot are the only other marks left behind).

I have no idea why someone would do that. You’re pissed off? Sure, that’s fine; do something about it, confront people, post on the internet that you’re mad, write a letter, hell, stand outside with a sign and say “YOU SUCK!” There are a thousand ways to express your anger, most of them very satisfying. What the hell do you get from something like this? Is it funny to be cruel to innocent people? My presumption is that the anger of those who did it was directed either at the school or at humanity and the world in general; so why go after the artwork being created by people you don’t hate? And if you do hate them, why go after that?

If we do catch who did it — and it was reported to the police as a hate crime, as indeed it was — then their punishment probably won’t be enough, because it probably won’t fix the problem: someone who thinks this is the way to go about expressing your anger is only going to continue targeting the wrong victims in the wrong ways. I don’t know how you fix that.

I know how you fix the mural, though. I know because the students and staff at the school did that yesterday, as soon as the vandalism was discovered. The people who had been leading the mural project were seniors, so they weren’t at the school as they graduated this weekend; two of them did come by, intending to work on the mural, which was unfinished; when they saw what had been done to it, it crushed them. It was the rest of the school, out of affection for those young artists — and for my wife, who was helping out with the mural mainly in an advisory role, though she did also put several difficult hours of work into it — who took it upon themselves to try to clean off the spraypaint, and then to re-paint the original design so as to cover up what could not be removed.

It’s not fixed. It’s not finished; there is still a lot of work that needs to be done. The alumni who were leading it are not sure yet if they want to try to finish the piece, because clearly, it is vulnerable and it is a target, and there’s very little stopping the vandals from coming back and doing it all again. If our artists decided to take the risk, and put whatever spirit they have left into finishing this mural, only to have it defaced a second time? It would be devastating.

That would be a hate crime. That would be vandalism, in the sense of meaningless destruction. And there wouldn’t be enough punishment for people who would do that.

This Morning

Dusty Leave a comment

This morning, I think I have an answer to my question from yesterday morning.

Yesterday, I was wondering what I could say to my wife, to my students, to myself, that would help comfort us in the face of inevitable suffering, and I wished that I could rely on God as that answer, because then I could at least stop thinking about it — and I should have said worrying about it and fretting about it, because that’s the point; it’s not the idea of not thinking, it’s the idea of “let go and let God.” Which I can’t do, but I appreciate that people can.

But I have another cliche that I have gleaned from outside of the fields of the Lord (And that enormously obscure reference is brought to you by the podcast I’ve been listening to, Sunday School Dropouts. Probably also why God has shown up in this atheist’s morning ramblings.), that as I understand it, many churches focus on as the heart of their message (and others may sprinkle in, in between railing against homosexuals and abortion and Democrats in Washington), which is this: God is love.

Once again, that doesn’t work for me. But it comes with another way of looking at it, that I think does fit in nicely with what I’ve been looking for:

Love is God.

That is to say, love is everything. Everything that matters. It is the alpha and the omega, it is the answer to all questions, all doubts and fears. Love. And love, I think, can offer an answer precisely as satisfying  — and not any more satisfying — as can the answer “God.”

What should I tell my students when the future looms ominously over them? Love. Look for love in your life, look for love in what you do; if you don’t find any love in your life, then change it, and if you don’t find any love in what you do, then stop doing it. Don’t work for money, work for love: and I don’t mean to be flippant there, because I am a person who works for money precisely because he cannot live on what he loves; but for me, the money I earn is spent on those I love, and used to give me an opportunity to do what I love, which I am doing right now. So I never mind my job very much, because it is done for love, if not always in love. And yes, sometimes I love my job: I do love books and poetry, and I love writing, and I guess I don’t entirely loathe my students. (No, I love some of them. More, I love the people they become, and the potential I see in them when they are young.)

What do I tell myself when I am in my darkest, foulest, most hopeless moods? Love. I have lost some of my liberal idealism in these last few years, and I have begun to lean a wee bit more conservative; it has made me worry, because I know that this is a common pattern, especially among aging white men, as we start to get a taste of power and become greedy and start worrying about people taking away what we have. And I do not want to be that guy. But I think that so long as I focus on love, so long as my actions and intentions are begun with love in mind, then I won’t turn into someone I would hate. At least some of my shifting to the right is based on the consideration that people on the right can’t be bad people, can’t be evil people, not all of them. (Trump is.) Not any more than there are evil people on the left. It’s not reasonable to take a person’s political leanings as the sole evidence of their morality or their value, or anything else apart from their political leanings; evil people are conservatives, conservatives aren’t evil people. Thinking that makes me give some conservative ideas (like the free market and lower regulation, the independence of states and, perhaps most shocking to me and those who know me, the value of the Second Amendment) the benefit of the doubt, and that makes me move away from my liberal roots.

But that doesn’t matter. It doesn’t matter if I’m a liberal or a libertarian or a moderate or an anarchist: so long as I consider what is best for my fellow men, and treat them always with respect and with love, then my ideas will never be bad, even if they are wrong.

I also need to remember this for myself when I am disappointed in my writing career. When I think about how old I am compared to other writers, and when I realize how good I am compared to some other writers — and then when I think about how entirely devoid of success I am compared to most other writers; I need to remember: love. I do this because I love it, because I love the me who does this. And so long as I write for love, with love, and out of love, then I can’t be a failure. I am a writer.

What do I tell my wife when she worries about our future, about what we’ll do for money, about where we’ll live, about how we’ll see the world and how we’ll live in it? I will tell her, as I do as often as I possibly can, that I love her, without limits and without end, and that I always will, and that love will see us through, no matter what else happens. Always. Love.

It doesn’t solve the problems we all face. But then, neither does God. I hope that it brings you some comfort, as it brings me some. I hope that it gives us all the strength to keep fighting towards our goals, and I hope it keeps us from hating those who fight against us, or at least in the opposite direction. I hope that the love in your life is enough to make you smile, as it is for me, even on a Monday morning.

Thank you for reading what I write. I won’t say I love you, because I don’t know you, but I love the fact of you and the existence of you, and what you give to me. Thank you.

Now go love!

This Morning

Dusty Leave a comment

This morning I am thinking about perspective.

My wife, who is currently teaching high school art, teaches perspective to her students. There’s a technique to it, and a basic concept that some of the students struggle to master. But if they do master it, there’s more waiting for them. We all know about one-point perspective, and two-point perspective (Don’t we?), but did you know there is also three-point perspective? And four-point? Did you know it goes up to TWELVE-POINT PERSPECTIVE???

If you, like my wife, are a highly trained visual artist, then you might actually know that. In which case your view — your perspective — of this post is different from mine,  and different from most; you might have seen my all-caps and multiple question marks as naive, either irritating or cute depending on how you see me and probably what mood you are in.

If you ARE my wife (and she’ll read this at some point, I hope. I mean, maybe she’s sick of my writing; Lord knows she has to read enough of it. So maybe she’ll skip this one.), then your view of this post will be different again, because not only do you know all of this already, but you are reading about yourself, being used as my example. Again. (And you had to read my little anxiety-comment about being tired of my writing, again, and you probably sighed or rolled your eyes at the apparent need to reassure me, again, that you like what  I write. I mean, 25 years we’ve been together; come on, are we still worrying about this?)

Perspective changes everything.

I was going to lead this off with the old cliche about keeping things in perspective. There are eight weeks left of my school year (I know, fellow teachers, I get out super early, around the third week of May, and it’s sweet — but then we start again around August 1. Inservice is in July. Don’t be too jealous. Though at this end of the school year, with the summer ahead starting before Memorial Day, it looks pretty sweet — so go ahead and be jealous. Just come back at the end of July and read about how miserable I am to be going back to school already, while you probably have a month left of summer; then you can have your revenge on me.), and that makes me both excited to finish and get to my summer, and also terribly stressed that I only have eight weeks left to teach everything I haven’t taught my students this year  — which, of course, is far more than eight weeks’ worth of material. Today is also the first day back to school after Spring Break, which feels terrible right in the moment; but my Break was absolutely lovely and perfect; and of course, there will be many more breaks to enjoy. As sad as going back to work after vacation is, it also means I get to have that last day of work before vacation, and those are wonderful.

So I wanted to make the point that most frustrations are minor. Sure, it’s Monday and I have to go to work; but it’s almost April, and I will have summer soon. Sure, I’m tired; but I’m alive, and generally healthy. Sure, I’m frustrated  with my job and with my lack of a professional writing career; but I’m not a ditch digger nor a slave, not a sex worker nor a sewer worker. You have to keep things in perspective, I thought, and decided that I should write that, as a little encouragement to my fellow workers who are off to their Monday.

But then I thought a bit more about perspective, and I realized: there is no “right” perspective. “Keeping things in perspective” implies that there are big important things, and there are small trivial things, and there is a clear delineation between them, and knowing which are which is the key to happiness, or at least contentment. But I don’t buy that: because importance is relative to the individual. Because the size of issues is time bound, meaning that climate change is a global catastrophe waiting to destroy us all, but it is not affecting me this morning, right now, and my having to go to work is. Having to go to work is infinitely smaller; but it’s also infinitely closer than the climate change catastrophe. (I know it’s not infinite, and I don’t mean to belittle climate change; that catastrophe is closer than we think, and scarier. But I’m trying to make a point here.) That means, essentially, that the two problems are about the same size in my life and in their influence on my mood right now. In fact, the Monday thing is a little bit larger because I’m also tired, which makes Monday worse, and doesn’t have any effect on worrying about climate change. Someone else in the very same situation would have a different view of the relative importance of these things, and who’s  to say that their perspective is wrong? Or right?

So I think the best idea is not to try to keep things in perspective: it is to realize that you can, almost always, change your perspective. (“Almost always” because sometimes things are inescapable, immediate and intense and critical, and then you must deal with them and survive them and get through them.) But when you can gain some distance from a problem, from a feeling, from yourself, then you can shift things around as you wish. You can focus more on a specific aspect, bring it nearer, clearer, larger, and push other things back in relation to that aspect. That power is what’s important — at least right now.

Don’t keep things in perspective. Change your perspective. Make a big deal out of little things, and enjoy your little victories as if they were world championships. Make those large looming abstract worries into tiny, distant problems, and block them out with something right here, right now: do some laundry, and be proud of what you have done. Eat a bagel, and glory in the perfect breakfast. It can be a big deal if you want it to be. In other words, sometimes you can sweat the small stuff and ignore the big things; that is your choice, your privilege, your power. Your perspective.

At least, that’s how I see it.

 

(P.S: I am confident that my metaphor has completely ruined the correlation with the artistic technique of perspective; I’m really talking more about foreground and background and such. I am sorry if that broken parallel was a bigger issue for you than it was for me, but it wasn’t a big problem for me. I’m just happy I got this post written. If you’re my wife and you’re annoyed with me, you can have the pleasure of throwing something at me. If you hit me with it, you win!)

Book Review: The War of Art

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The War of Art

by Steven Pressfield

In retrospect, I should have known from the foreword that this was the wrong book for me: Robert McKee talks about art like it’s a war that Pressfield will help me to win; and while I think art is a struggle, I really don’t think it’s a war; indeed, as I am a pacifist, couching things in warrior’s terms is just going to push me away. He also references golf as evidence that Pressfield is a consummate professional (Pressfield wrote The Legend of Bagger Vance, which I have neither read nor seen; I guess it’s about golf? I guess Pressfield likes the game? But he writes anyway instead of playing, which – I guess is impressive?), and there’s the second best way to alienate me. He talks about tearing up over the Spartans’ death at Thermopylae, which was the subject of Pressfield’s other big book, Gates of Fire, which I did read, and did like quite a lot – but it didn’t make me weepy, and I don’t know what it has to do with inspiration to make art. So I’m really having trouble relating to this foreword author – and then he ends his intro with this:

“When inspiration touches talent, she gives birth to truth and beauty. And when Steven Pressfield was writing The War of Art, she had her hands all over him.”

Creepy sexual metaphors, especially about things that are not remotely sexual – like the act of putting words on a page – that is the number one way to make me say “Nope.” So I should have known.

Let me say this, though: this is a book intended to inspire artists, to help people break through creative blocks and create art they can be proud of. I can’t think of many more noble things to try to do, and I appreciate Pressfield’s earnest and genuine attempt to give people tools to do what they should be doing. So: if you do appreciate sports metaphors, and war metaphors, and you like a good, strong pep talk – or as the cover blurb calls it “A vital gem… a kick in the ass,” (which also should have been a warning sign for me) – then please ignore this review, and go get this book. I hope it helps.

It didn’t help me.

There are moments when I agree with Pressfield. He talks about questioning his writing, and feeling hopeless, and the strength and stamina it requires to push through all that and just keep working. He calls it work, and talks about how important it is to just keep putting in the hours, to keep trying, to keep seeking to hone your craft and do the best you can – but first and foremost, to just put the goddamn letters on the goddamn page, and to never give up. And I agree with that entirely. He talks about how he was in his 40’s before he found success, and how it came from an entirely unlikely source, which was, logical or not, simply the book he had to write at the time; and as a 44-year-old writer who is working on his second novel about a time-traveling Irish pirate, I appreciate everything about that.

But then there are the places where he talks about being a Marine, and how other servicemen in other branches are weaker than Marines because Marines love being miserable (This is a metaphor for how artists should be: willing to suffer and be miserable. I kind of see that. This whole Marines-have-bigger-dicks-than-other-soldiers? Nah.) and the other services are soft. Where he talks about writing and art like it is a war to be fought and won; or an animal to be hunted and then eaten; or a football game where you have to “leave everything on the field.” And I hate all of that. He talks about the urges and habits that get in the way of art as Resistance, and that’s pretty good, but he also talks about how like not cleaning your room is a way to lose to Resistance, and – what? And how golf is an art, and Tiger Woods is the greatest artist of all because he can be interrupted mid-swing, stop his swing, and then refocus and hit a golf ball really hard and – I fail to see the art in that. And he says that mental illness, depression and anxiety, are not real, but only a failure to combat resistance, which can be overcome by determination and the earnest pursuit of one’s true calling, and hey, fuck you, Pressfield.

He’s got a strange (And contradictory) section where he tries to talk about thinking territorially instead of hierarchically, and basically he means you should do what you think is right rather than worry about what other people think is right, and okay, sure – but first, he says elsewhere in the book that he knows he’s written well when his family is pleased and proud of him, which is hierarchical thinking by his own definition and explanation, so either he’s a REALLY bad editor who missed that continuity break, or he’s full of crap in one of these places; and second, his example of someone thinking territorially is Arnold Schwarzenegger going to the gym. Which is both weird and not at all artistically inspiring. It gets really weird in the third section, where the devout Christian Pressfield (Though he also admires the ancient Greeks so damn much that he seems to kinda want to worship Zeus and Apollo. I can’t really disagree with that, though I wouldn’t pick the same gods.) talks about angels who help inspire artists to work, because God wants us to create beautiful things for Him to admire, and how everything an artist is comes from God and we should understand that we contribute nothing, that we are only the vessel through which the divine will is worked. I mean, when we’re not being hardcore fucking Marines. Or hitting 310 yards off the tee. Otherwise, though, we should be all humble before God. It is not quite this Christian – he really does admire and know a lot about the Greeks – but it does read that way, as a repudiation of human accomplishment and a glorification of the eternal Whatever. And as an atheist and a part-time humanist, I am not at all down with that.

This thing reads exactly like what it is: a privileged Baby Boomer looking down on everyone else who doesn’t have all of his privileges; and by the way, he says some interesting and intelligent things that show me he really is an artist like me. Just way more of a shmuck. Hoo rah.

This Morning

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This morning I am thinking about the work of art.

I have often questioned whether or not I’m an artist, a writer. And whether or not I should be an artist. I think that I don’t take it seriously enough, because art doesn’t always come first for me; I do all sorts of things other than art. The most obvious is work: as a teacher, I put in fifty or so hours a week on my job, and since I’m an English teacher, a lot of that time is spent reading and writing and talking about reading and writing. I took the job because I thought it would be both fun and beneficial for me to be surrounded by language and literature,  and to some extent it has been both; but I don’t understand why I didn’t think about how much effort it would take to do the job well. I question all the time whether I should have stayed a janitor, some kind of nice, essentially mindless work that would allow me to go home at the end of the day and write, for hours on end. I ask myself: are you really an artist if you spend all of this time and energy on your job? Shouldn’t all of that effort go into writing? Shouldn’t you quit your job and find a mindless one? Or at the least do your job poorly, with the minimum expenditure of effort?

Maybe so.

I also took this job because of summers off, and the several week(s)-long vacations; I figured I could use that time to write more seriously. And I have; summer has always been my primary writing time, along with spring break and winter break, and fall break, now that I have that. But even in those times, I only spend a couple of hours a day, at most, on actual writing. I’ve read about authors who work for eight hours a day, or who lock themselves away for a month, two months, six months at a time, and do nothing but write, all day every day. And here I am with two or three months off, and I write for — an hour a day? Clearly I can’t be much of a writer if that’s all I can stand to do.

But that’s not fair. Because the truth is that writing is fucking hard. It takes an enormous effort to focus on every single word, every single punctuation mark, every sentence, every paragraph, and make exactly the right choices in exactly the right places; and to do that at the same time that I am trying to keep a larger story in mind? Especially when the story is a novel, and so I have both the complete scene I am writing and the overall story to keep in mind while I am selecting each and every word? Jesus Christ, it’s amazing I can do this at all, if you don’t mind my bragging a little. Of course I don’t make all of the right choices, I probably make wrong choices most of the time; but I’m good enough at this that even my wrong choices are generally not terrible, not unforgivable. And just as a doctor’s first rule is “Do no harm,” meaning make sure you don’t do the wrong thing even before you try to do the right thing, I think my first rule as a writer is, “Don’t write shit. Or at least if you write shit, don’t let anybody else see it.”

But even that is hard, because shit is enormously easy to write. Just ask James Patterson. BOOM! No, I’m kidding, he’s not a bad writer. He’s a whore who made a name for himself and then let his publisher pimp that name out in “collaborations” that Patterson likely has almost no hand in, but his name is prominent on the front cover in order to boost sales — but he’s not a bad writer. I don’t want to actually name any bad writers; I’m not going to throw any writers under the bus quite that hard, because all of us struggle with this. All of us have to put in this colossal effort, and then take this terrible soul-searing step of letting other people read what we write.

It’s brutal. It is laborious and effortful and wearing and taxing and just hard.

And I keep doing it. And I keep doing it well enough that I am pleased with what I produce. And I do it sincerely enough that I feel better emotionally after I’ve done it, after I’ve written honestly and as well as I can; even though I’m generally mentally exhausted after I do it. I will also say that I don’t write much more than an hour most days, but I can always put in that hour: these morning blogs have been quite good for that, it turns out; I’ve also worked on my book every day for the last few days, and I’ll do it today, too. I am also capable of some serious marathon sessions of writing: I wrote the final chapter of my most recent book over one weekend, two days of solid writing for more than eight hours each day; I produced something like fifty pages.

Huh. Maybe that’s why I haven’t written that much in the months since.

But even when I hit these dry patches, I still come back to it. Even though it’s hard — and it is hard, though I sometimes fool even myself into thinking that it’s easy because sometimes the words just come and are perfect; but that is the end result of a whoooooooooole lot of hours spent slogging, and writing and rewriting and discarding the whole thing and then starting over again. Still I put in the time. I put in the work. Because I love it, and I believe in it, and I like myself better when I do it than when I don’t.

I guess I am an artist, after all.

This Morning

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This morning I am thinking about work.

It’s an interesting word, one that we use in many different ways: it is simple effort (“That looks like a lot of work!”), it is our profession (“I have to go to work. Please kill me.”), it means to stretch (“You have to work the joint”) or to exercise (“I have to go work out. Please kill me.”). It means to move or to move into place (“Her mouth worked furiously as she worked the Q-tip into her ear”), it means to control or manipulate or stress the emotions (“He worked himself into a tizzy, and then he went out on stage and worked the crowd like a pro.”). It means to maximize reward or response through confidence and panache (“Work it, girl!”) and it is the final product and achievement (“This is a work of art.”).

It is, for an artist, the goal. The purpose. We do this for the sake of the work. And not just the final product, because you can’t know going into it that what you will end up with will be a masterwork, will be your magnum opus (Magnum means great. Want to guess what opus means? Other than the most adorable cartoon penguin in history, that is?); we do what we do for the sake of doing it, for what doing it makes us feel, and what it makes us not feel; for who we are when we are doing the work and who we become after we do it and after we decide to keep doing it.

Sorry if that was too abstract. Let me be more clear. (Let me also give a modicum of credit to Steven Pressfield, because while he’s a toxic-masculine doofus who wrote a bad motivational book, he does talk about the value of artists simply doing the work, putting in the time and the effort, and so he has inspired me despite his doofery.) I write because writing brings me joy, and it gives me solace. When I am upset about something, particularly when the thing upsetting me is confusing or complex, my first urge is always to get out a journal of some form and write about it. When I have an idea, I always want to write it down; and then once I start writing about it, I want to keep writing about it until I have explored all of the possibilities. I am always happiest communicating through writing (Though I’m still, always, a little nervous when someone is reading what I have written.). This relationship with the page, the pen, the written word, along with my lifelong passion for reading, has led me to become a writer. That is how I define myself, how I view myself. It’s where the monogram that makes up my banner on this site came from (Also note: my brilliant wife, who is an artist and illustrator because everything I say about writing, she would say the same about drawing, made that banner for me.) My most important work, the thing that I was born to do, is write. Thus, when I write, both while I am in the act of writing and when I have done enough writing to have produced something worth reading, I feel most myself. I like myself best at those times. I like my life best at those times. That’s why I write: not for reward, not for applause or respect; but because of who I am when I write.

One of my favorite poems, We Are Many by Pablo Neruda, includes these lines:

While I am writing, I am far away;
and when I come back, I have already left.

I’ve taught this poem several times, and students always struggle to understand it (Not just because of these lines: the whole thing is about multiple selves, particularly perceived self vs. actual self, and it’s fantastically bizarre to read — “and so I never know just WHO I AM,/ nor how many I am, nor WHO WE WILL BE BEING.”). but I understand this part perfectly, and I think other artists would, as well, if they change the verb “am writing” to something appropriate to them, am dancing, am painting, am carving, am composing, am playing. Am working. While I am writing, I do not feel connected to the world; I am in my mind, sifting through words and phrases, images and metaphors, like the child I once was at the beach, when I would grab up handfuls of sand and pour them onto the ground, onto my legs, from one hand onto another, just to see how the sand piled up and how it fell, how it felt running through my fingers and sliding across my skin. I would thrust my hand, palm down, into the dry whispers of sand, and then I would lift my hand straight up to watch myself emerge from the Earth, and to see the way the sand would remain in skeletal ridges on the backs of my fingers; then I would drop my wrist and watch the sand blow away in a swirl of motes.

Just now, I forgot that I am sitting on my couch next to my dog, with a blanket around my shoulders and my laptop perched atop my crossed legs. I was remembering being on the beach and playing, and I was trying to dig for the right words to capture that moment. I was far away.  And now that I’ve come back, I’ve already left — which line I think has two meanings, both that the self that Neruda most clearly takes as his own, his writing self, the part of his mind that rises to find the words and put them in place, is only present while he is actually writing; and also that once he has written down what he was thinking, and he returns to awareness of the world and sees the words as a completed thought on the page, his writing mind is already off on another voyage through the clouds, soaring far above or below where he sits, suddenly aware that his ankles ache. It makes me want to just keep writing, to recapture that feeling of weightlessness, of timelessness, of pure and simple being; the fact that I can do it, and the fact that when I do it, I have this evidence, this product, this work that is my words, pleases me enormously. So much so that the potential rewards of that work, while I want them for the sake of my non-writing self, don’t matter so much as this: I did the work, and the work now exists because of me. It is both humbling in that I don’t matter nearly so much as the words do, and also flattering in that I am capable of making those words do what they do.

I am proud of my work.  I hope my work is proud of me.

 

I do have to note that this was not where I intended this entry to go; I was going to talk about the effort required to make art, and how it has to be done regularly, constantly, no matter how onerous it feels — and it does feel onerous sometimes; but I think I’ll save that for tomorrow. I am happy with this work.

This Morning

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This morning I am thinking about art.

These thoughts were inspired by a book I just finished reading, Steven Pressfield’s The War of Art; I’ll be reviewing it later, (Sneak peek: IT SUCKS.) though after  yesterday’s post I’ve decided to keep the book reviews and This Morning separate. This Morning is what I think a blog should be, and what I haven’t been doing well despite my years of keeping a site for my writing: it should be a Web-log, a recounting of events, thoughts, feelings, etc. Part of me says “Then why the hell would anyone want to read it?” But that takes me to what art is.

Art is one of the two pursuits, ambitions, goals, that make humanity what we are, that set us apart. We share 99% of our DNA with chimpanzees, and everything we have — tools, technology, society, language, family, war — is echoed in the animal world. The only two things that make us unique (And they may not actually make us unique, as there may be other creatures on Earth with the same pursuits) are art, and truth. We  pursue truth for the sake of truth, and art for the sake of art, and I think there are no other creatures that can definitively be said to do the same. The argument could be made for birdsong and whale song, and for the way some animals play, and the way some animals dance; but I think all of those can be identified as survival traits in one way or another.

I think art  and truth can be seen as survival traits for humanity, as well, but the connection is more tenuous, more distant. Art and truth can be paths to personal success, financial or social, in society, and thus are they survival strategies; they can create pleasure in the individual, which makes us more likely to do other things that help us survive that we tend to do when we’re happy, and also helps us deal with the stress that kills us; they can be used to achieve pragmatic and temporal goals and to transmit and influence culture, which are all part of the survival strategies of the social animals that we are.

But the thing is, there are a lot of us who pursue art and truth despite those pursuits taking away from everything that would be seen as beneficial to Darwinian survival strategies. My art cuts me off from other people. It often makes me sad. It takes time away from the things that earn me money, that earn me social success. Art kills quite a few of us: Vincent van Gogh, Virginia Wolfe, Ernest Hemingway, David Foster Wallace, among others, by suicide; James Joyce and Jack London and Dylan Thomas, among others, by alcoholism. (I’m oversimplifying: they all suffered from various conditions that surely contributed to their deaths, particularly, in the case of the suicides, severe depression; but if you don’t think that the life of an artist was a factor as well, then you don’t do enough art. You should try to do more. I promise it won’t make you suicidal. Well, I don’t think it will.) Truth does a lot of the same things to scientists and mathematicians and philosophers, and where it has been used to have a direct impact on society, then sometimes lots of people die, particularly the one who speaks truth: this category, I would argue, includes Dr. Martin Luther King and Mohandas Gandhi and Martin Luther and Karl Marx. Also J. Robert Oppenheimer and the rest of the Manhattan Project, and Werner von Braun.

So art and truth are not, or not only, survival strategies; in some cases they are hazards — and yet we continue to pursue them. Because there is value in them, for society and for the individual, beyond survival, beyond life and death. That’s what art is: value beyond life and death. It’s something worthwhile even if we can’t say precisely why it is; we know it is. There are as many reasons why as there are people, but I think that for all of us, there is a reason why art is worthwhile beyond life and death. That’s not to say that we should die for art, nor that we should want to; it means the value of art is nothing to do with living or dying.

(I will say I think there is a biological evolutionary explanation for the pursuits of art and truth: I think our giant complicated brains evolved in order to keep us alive despite our essentially incompetent bodies, but then our brains got a jump on survival pressures when we created society, and gave ourselves an enormous lead in the race for survival — so strong a lead, in fact, that we’re probably going to kill ourselves off with the very things that help us survive, like the food we eat and the technology we create and the standard of living we uphold and the population  we sustain. But another aspect of this oversuccess is that we don’t actually need all of our brains in order to live; so we turn that excess energy into a pursuit that consumes brain power, and offers us some kind of valuable reward, but that doesn’t contribute to survival. Art. And truth.)

The difference between these two is the distinction between heart and mind, emotion and thought. Truth is thought, and art is emotion. That’s too glib and simplistic, of course; they almost always blend and combine and lead from one to the other and back. But one of my favorite quotes, from Vladimir Nabokov, is, “To call a story a true story is an insult to both art and truth.” The goal of fiction, which is Nabokov’s subject there, is not to depict the world, but to interpret the world; the same should be true for pictorial art, and for music, and for anything else that isn’t trying to capture and explain the world; that is the realm of truth-seekers, not artists.

When I think of the pursuit of truth, by the way, I think of my father. My father is a retired particle physicist, and for years, since before he retired, he’s been working on a physics problem in his free time. I can’t explain it; it has something to do with reconciling Newtonian physics with quantum mechanics. He had an inspiration years ago, and he’s been searching for the math to make it work ever since. He does this without expectation of reward; the best he can hope for is publishing an article in a physics journal, which would lead to no tangible reward. He has hit many stumbling blocks: he has had to look for math texts that can give him a formula or a method that he thinks he needs, and those are often dead ends. He has come close, only to find a flaw in his own math, which means he needs to start over again. He’s still working on it. He does it late at night when he can’t sleep, because simply working on it gives him peace. That’s the pursuit of truth, because all of those things would apply to someone, say, writing a novel, except my father is looking for an answer. That’s his goal even more than publication: he thinks this idea will work, and he wants to assure himself that it will. He is his own audience.

That, with the goal of capturing or creating a feeling, is art.

(To be continued. Because the pursuit of art never ends.)