Losing Spoons

Sorry I haven’t been posting regularly. See, writing a blog, even a short one about happy things, costs me some number of productivity spoons; and I find that I have fewer productivity spoons left to me these days.

(By the way: if you’re not aware of spoon theory, here’s a visual. Read more here.)

This has been a shift for me, because I don’t normally run out of spoons. Well, I do, but I have a lot to spend, most days. I spend a lot of them at work, but I can still usually do a few things in the evening; I can go to the gym; I can go to the grocery store and make dinner; I can sometimes do a task for school, like set up a lesson for the next day. I can almost always get something written even on a school night, if it’s not one of the times in the school year when I’m burnt and exhausted and hate everything. And on the weekends, I can usually spend the entire time working, on grading, or chores, or my writing.

Life’s a lot easier when you don’t have a chronic disease or the weight of mental health concerns.

But my usual easy productivity has not been with me for the last month. Now I have to count my spoons.

It’s remarkable, and I wasn’t prepared for it. I really thought I would be able to do extra things: I thought I would be able to get extra writing done, since I don’t have to spend as much time at work; I thought I would be able to provide extra emotional support to my friends and family — and my students. The first week or two I was throwing around offers to help in any way I could; I suppose I’m lucky that nobody really took me up on it, because if I had had to spend my energy doing extra tasks for others, I’m not sure what I would have had to drop. I was angry with myself for the first couple of weeks: why was I so tired? And if I was so tired, why wasn’t I sleeping? Why wasn’t I getting more things done?

It didn’t really dawn on me at first that the answers were in some of the questions, and all I had to do was put the pieces together: I am tired because I’m not sleeping, and because everything I do — everything — is harder. I’m not sleeping for the same reason that everything is harder: because I am constantly afraid, constantly anxious, constantly trying to find something to do to solve the problem — and constantly aware that I cannot solve this problem. And of course, the more I worry, the less I sleep, and then I have less energy to do things, including worry, but worrying is never the thing I let go of in order to do other stuff: I worry first, and then whatever energy I have left over goes to my job and my daily tasks. I spend more energy getting mad at myself for not getting more done during the day, and because I’m tired and on edge, and I struggle with my temper, I am constantly getting mad at anything and everything around me. And then I feel bad because my family has to walk on eggshells around me so that I don’t snap at them. And there’s some more energy spent, and even less accomplished.

I get it now, I understand; I’m still not dealing with it well, though. I still get angry with myself for not doing more. It’s weird: somehow I still feel pressure to use this extra free time before it runs out, like I find myself thinking that I should do more writing or record more podcasts before the quarantine is over and I have to start going out and doing things more. Like this is a vacation.

But that’s not what this is. This is a natural disaster.

I’ve been through a few of those: a hurricane and more than one blizzard in Massachusetts; a wildfire in California; a flood in Oregon. None of them on the scale of Hurricane Katrina or Maria, or the Loma Prieta or Northridge earthquakes. But they were bad enough to show me what a natural disaster feels like: you watch things fall apart that you had always counted on; you watch danger arise from a direction and in a way that you never expected; you watch that danger come for you, or for those you love: and there’s nothing you can do. Except realize what you are about to lose. And realize you have no idea what to do if and when you lose it, how you will get it back, how you will live without it.

That’s what this is. Covid-19 has taken away things we never expected to lose, and we are in danger of losing even more, if we haven’t already lost everything. And I am aware of how lucky I am to be able to say that I have not lost everything. I see people on social media who have, and I can’t — no, I was going to say I can’t imagine what that would feel like; but I can imagine. That’s a lot of what I do during the day. I imagine what I could lose, and how it would feel, and what I would do about it. And every time I think about, what if I lose someone I love, or what if I lose my job and my home, I realize: there’s nothing I could do about it. I assume I’d adapt and survive, I assume I’d be able to ask for and receive some help; but I don’t know. I just don’t know. I know I couldn’t fix the problem, couldn’t recover the loss. I know I’d be devastated. I don’t know how I’d deal with it. Maybe I wouldn’t be able to. I worry about all of it.

That’s why I can’t get much writing done. Not even happy little blogs: because it turns out that I need to feel happy before I can post happy things; or at least, I need to be close enough to happy to recognize what would be a good happy thing to post. I can write things that  I’m not actually feeling in the moment, but when I try to think up a good topic, or when I try to pick a good link to share, if I’m feeling down or exhausted or angry or afraid, nothing seems like a good idea. Which I also get mad at myself for, by the way. So that’s fun.

This is what it feels like to have to count your spoons. To have a chronic illness, or a mental health condition like anxiety or depression. It feels like nothing works right. And I suspect that you always feel like it’s your fault, like if you could only deal with it better, be smarter, more thoughtful and aware and organized, then everything would be better. Though maybe people who deal with this all the time are smarter about it than I am, maybe they know that they can’t blame themselves for something that’s outside of their control. All I know is that that thought doesn’t help me. Knowing that I can’t do anything about it doesn’t keep me from worrying about it. About anything. Knowing that it’s not my fault doesn’t keep me from getting angry at myself.

I even have that little annoying thing that clearly isn’t the main issue, but keeps popping up and irritating me, because it’s kind of a pain and it’s clearly connected to the larger problems, so when the little irritation pops into my consciousness, it makes me think of the bigger issues, which sets me on edge; at the same time, I can’t believe I also have to deal with that little fucking thing that just won’t go away. I have eczema, you see. On my hands. They itch. And then the skin dries out, and splits, and hurts. And itches more. It’s made worse by repeated hand washing, and by stress, so. Fucking annoying. I feel bad bitching about it, because people are dealing with things that are a thousand times worse, but that only makes it more irritating, because goddammit, my hands itch, and maybe I should be Zen enough to rise above it, but I can’t, and I feel lame and I wish I could just make it stop but I can’t control anything but I can still worry about it.

And around and around we go. Using up our spoons. And getting nothing done.

This wasn’t even the blog I was going to write; I was going to write about my students. And part of me thinks I should add that right here, right now, make the point I was actually going to make; but you know what? I don’t want to spend the spoons. I need to call my dad, and I want to maybe record a chapter of the book I’m reading to my students for their distance learning English class. So I think I will stop here, and write about my students tomorrow. Or maybe the next day.

I’m grateful, honestly, that I’ve had this experience, because I think I get it now, what it is like to have to count your spoons. I’ve been able to sympathize with the people I know who have to do it, but I could never empathize. Now I think I can. But I also realize: if this disaster, and the weight of the worry that I’ve been carrying around for a month now, have reduced my formerly unlimited number of spoons to some number I have to count: what has it done to people who had to count their spoons in the first place?

And the scariest thing of all is: what if this doesn’t stop? I mean, that’s what it’s like to have a chronic illness: you have to recognize that the situation will, or at least may, be permanent. You’ll always have to count your spoons, forever. I  won’t have to face that, at least not with the current pandemic; it may take a year for things to get back to normal-ish, but there will be a vaccine, and things will improve; I don’t know how long the economic damage will last, but I know it won’t be forever. But for some people, the changes  wrought by this disaster will be permanent. And maybe they will be for me, too. Or if that doesn’t happen with this disaster, maybe it will happen with a future one. At some point, I will have to face and deal with a permanent loss, a reduction in my capacities and abilities, a change in my life, that will never get better. And then another one, and then another one.

I think, between now and then, and using what I have learned and what I am going through now, I have to learn to accept that loss, that reduction, that change, and keep going forward with what I have left to me. I’m sure I can do it; I know everybody does. We deal with loss for as long as we live. I hope I am learning how. I hope the learning helps.

Invisible People

I don’t think about trans people.

That’s a confession, and it’s not a comfortable one. Because I should think about trans people; I should consider them, and try to understand them; and because I want to be an ally, I should do better at remembering them and their needs when I write about topics that touch on gender.

I’m hoping that writing this now, and posting it, will help me to keep trans people in my thoughts, will remind me to look over what I write about gender and sexism and men and women with a thoughtful eye; because shame is a powerful motivator. Considering what trans people have to go through in our society, I think the least I can do is feel shame about my past behavior and mindset.

I don’t have too much shame: I’ve never mocked a cis male for being feminine or a cis female for being masculine (For those of you who do not know — and I’m adding this because I was confused when I first encountered the term — “cis” is short for “cissexual” or “cisgender,” and it means someone whose gender identity matches the sex they were assigned at birth. It’s the opposite of transsexual or transgender. Read this.), never used “sissy” or “tomboy” as any kind of insult, never confused transvestites for transsexuals — never really thought that men in drag were funny, and so I didn’t laugh at bros in high school when they put on wigs and skirts and fake breasts for Halloween or pep rallies. I have never intentionally misused pronouns, nor thought that trans people were perverts, nor argued that anyone should use any specific bathroom (My ideal bathroom situation is and always has been single-occupancy bathrooms. I do not understand why it has to be one room with many people sharing a private function, when it could be a row of cubicles, each with their own toilet and sink and mirror and locking door.). I feel shame because I want two things: I want to give people who are transgender the respect they deserve as my fellow human beings, and because they are also an oppressed minority, I want to be an ally and fight for their equal rights and just treatment. I am always willing to do the second one, though I will also confess I am sometimes awkward or uncomfortable in the actual process of it; but because I don’t do the first well enough, I’m not good enough at the second.

Let me explain.

I know transgender people. Of course I do: so do you. Estimates of trans prevalence vary wildly, mostly because of the stigma attached to being trans, which keeps people from being open about who they are, and complicates the process of data collection as well; but this study shows that somewhere around 1 in 11,000 people seek either surgical or hormonal therapy; in surveys of self-assessed gender identity, the prevalence of transgender was around 1 in 300. That’s a huge difference, and just looking at the Wikipedia page shows that the prevalence of trans people has varied wildly over time and in different places — and Wikipedia only reports a half-dozen surveys in four countries. My point is both that being transgender is not uncommon, and also that our society has made it so complicated that everything about being trans is incredibly opaque: who is trans, what it means to be trans, how we should talk about (or if we should talk about) gender identity — everything.

The solution to this, of course, is to talk about it. And while there’s obviously a certain irony and disingenuousness in me, as a straight white cis male, opening up the conversation (Because what the fuck do I know about being trans?), it’s equally obvious that I risk nothing in so doing: I’m not going to be judged, not going to suffer bigotry, not going to lose my job or friends or family, or my life, by talking about this; and that means it is incumbent on me to do it, on whatever scale and with whatever platform I have available to use for that conversation. So here we are.

Why is it incumbent on me? Why is this any of my business? Because this is my world, this is my society, as much as it is anyone else’s; and the purpose of society is to enable the members of that society to live in the world. That’s why people are social animals: because grouping together and cooperating improves our survival. We need other people, not only to survive, but also for our well-being as individuals. Society enables us to do that, to cooperate with and socialize with other people, and for it to work, all of us need to contribute to that, to help accomplish that purpose. Think of it like this: when someone doesn’t fit into society, there is friction; that friction affects not just the person who doesn’t fit, but everyone they come into contact with — and that means it is in all of our best interests to try to smooth the way for everyone in our society, to reduce the friction. For everyone. Since the friction goes both ways, the solution, the conversation, can start from either side, and it’s easier for it to start with me; thus, for society’s sake, as well as for my own, I should be the one to do it.

And, of course, because I have empathy, and because trans people have to struggle and suffer; and I would like to make that struggle easier and that suffering less, just because they are people. That’s enough reason to try. Even if it is awkward.

I don’t want to come off as a savior: I do not think I have very much to contribute to this discussion. I don’t know very much. But as a teacher, my job is (ideally) just to start conversations; I see my job as a blogger the same way. When I can get a group of students to read a story and start talking about it, I don’t need to know very much about the story: the students, in talking about it, will find their way to the best answer they could possibly have — one they create themselves. My job then is only to make sure that their answer comes from the story, from the source, and not from something someone made up or brought from outside; and to ensure that everyone has a chance to offer their input and hear everyone else’s ideas.  I see this the same way, and so I’m going to treat this conversation the same way I treat a subject in my class: I will talk about what I know, what little that is, and try to express the value and importance of the topic; and then I will open it up to discussion. (I recognize that this blog is not a terribly great place to discuss anything, as the comment function is awkward; I’m fine with the conversation continuing between people away from this website, or even just inside someone’s head. But if you have anything you want to say here, you are invited to do so.)

So here’s what I know. I know that being transgender (And also being genderqueer and genderfluid, which are terms that attempt to encapsulate the middle ground in between cis and trans) in today’s society is hard. It’s hard to get people to treat you the way you wish to be treated. It’s hard to get people to understand who you are and the way you wish to be treated, not least because you have to be the one to explain, over and over and over again, to literally every person you interact with, how you want to be treated. Imagine that: imagine if every single time you introduced yourself, the other person disagreed with you. Thought you were wrong. Was confused and wanted an explanation, or even an argument. “Why do you have a boy’s name? You’re a girl.” “No, I’m trans.” Imagine having that or a similar exchange every single time you met someone. Imagine having to justify something as simple as your name. To justify it: imagine someone who just met you telling you your name is wrong. It may be hard to imagine this — though people who use nicknames or names other than their legal names have some inkling of it — because most of us don’t have to argue for the way we want to be treated in terms of common courtesy; I don’t have to fight to get people to call me what I want to be called.

Imagine if, every time you met someone or talked to them, they started thinking about your genitalia. You know? You tell them that your name is X, when they think your name should be Y because of your voice or your size or your body shape, and they frown and look down at your pelvis, or your chest. And they look hard. And they think about it. Maybe they ask you about it. Even if they’re trying to be understanding, and they ask you about what you have, or what your plans are for what you have. You know how many people have asked me directly about my genitalia? As if they have a right to know the answer? As if this is a conversation that anyone can have in casual polite company? You know how many: almost certainly the same number of people who have asked you about yours. Zero.

And when there’s stigma attached, all of this is infinitely worse. Like the bullshit about gender identity and perverts in bathrooms. Look: being transgender is hard. It’s dangerous. People judge and hate and mistreat and attack you for it. The idea that someone would claim to be transgender for the express purpose of finding victims to rape or molest is so far beyond absurd that it should not even have a place in this conversation. Why does anyone even think this? Do you imagine it’s hard for rapists to find victims? Do you think that child molesters can’t find children to molest? Do you think that grown adult men need to go into women’s restrooms in order to rape or molest someone? Are you insane? Women get raped and children get molested every day, and not by trans people in bathrooms.

But because people still talk about being transgender like it’s a pathway to easier sexual assault, it makes it that much harder to be trans, because now not only do you have to argue for your name and your basic courtesy, you have to convince people that you’re not a rapist or a child molester. Imagine having to basically announce, out loud, that you are not a rapist every time you walk into a public bathroom. White cis men like me get all pissy when someone accuses us of being rapists, claiming that the mere accusation smears all men (#NotAllMen); but first, not only do we not have to prove to people around us that we aren’t rapists on a regular basis — we are also the freaking rapists. Straight cis men are far more likely to be sexual predators than are trans people. Orders of magnitude more likely. Yet we can walk into public restrooms without people raising an eyebrow.

I’m not even going to talk about the jokes and memes, generally from conservatives, about people “choosing” to “identify” as absurd things in order to get preferential treatment. All I’m going to say is: try it. You think people would identify as trans, or as anything other than what people see them as, just to receive special treatment? Try it. Try something easy: walk into your church and identify as Muslim, or atheist. Walk into your sports bar and claim to like a different team, or even just a different sport. Tell your family you’re going to change your name. See how much special treatment you get. See how freaking easy it is to disagree with what society thinks you should be. See what it’s like to have to argue just to be yourself.

That’s my experience. I know someone who is both transgender, and gay; his love life is therefore complicated. And I thought, when I learned this about him, “Man, it would be so much easier for him if he could just give up being trans, because then he (as a cis woman, which he is not) would have a much easier time finding guys to date.” And of course it would be easier. He wouldn’t have to convince everyone to use the name and pronouns he prefers; they’d just do it, just act as if his name is a given, an assumed truth, rather than a source of argument. He wouldn’t get strange looks, and awkward questions, and accusations and arguments, whenever he wants to use a restroom. He wouldn’t have to dread introducing himself  — or hearing his name called on the roll at school, remember that? Remember the kid with the unpronounceable name, who had to either deal with the substitute/first day teacher struggling with their name, or had to predict where in the roll their name would appear and just shout out “Present!” when the teacher frowned and squinted at the list? Imagine the shit you would get if your name was easy to pronounce, but was associated with a different gender? Or if your name on the roll, on your driver’s license, on your legal documentation, was not the name you wanted to use, and the name you wanted to use would start an argument? He has conservative family members, too, who give him unending shit about his gender identity, and he would be able to dispose of all of that, if he were cis. And sure, if it matters, he would be able to date more guys, because there are more straight men than homosexual men, and so the pool would be larger if he were a straight cis woman.

And that is what showed me that I’m an idiot, and so is everyone else who thinks that being trans is a choice. There is no situation where it would be easier to be transgender. None. There is nothing about being transgender that is easy.

That’s how you know it isn’t a choice.

And that’s why we, as a society, need to recognize and ease the struggle that transgender people deal with every day. Because they, as people, have every single struggle that all people already have (Money/bills/job/housing/health/family/age/fulfillment/trauma), and they have another one, a constant, trying, sometimes brutal fight with themselves, with the world, with everything. And they have no easy choice in the matter: they can deny who they are, or they can fight to have everyone else stop denying who they are. Neither one is easy, and neither one is harmless.

Think about that.

Now discuss.

Is this one good enough?

This is how it feels to be an artist.

There’s never enough time. Everything you have to do takes you away from where you should be: working, sleeping, bathing, cleaning, eating, exercising, relaxing, dressing, smiling. It always has: you started too late in life, you didn’t work hard enough, you spent all those years in math class, working at Carvel Ice Cream, hanging out with friends. So much time wasted: and wouldn’t a real artist have spent that time making art? You know those artists you read about who ignore food and sleep and companionship when they’re working? Those are artists. You’re not an artist.

When there is time to spend on art, you spend it the wrong way doing the wrong things. Everything’s the wrong thing: you have too many ideas, and no idea which idea is the right idea. There’s supposed to be a click in your head when the right idea comes and settles into its place in your brain, and then the art will just flow out of you like milk and honey. But there’s no click. So you just pick something, something that seems interesting, maybe the most recent idea, because it’s often exciting when it’s new. Then as soon as you pick an idea and start working on it, something clicks in your brain, and you realize: this is the wrong idea. That other idea would be better, that old idea, the one you’ve had enough time to think about and really develop. What were you thinking, working on a just-born idea like that? So you change, and work on the other idea. It’s not the right idea either. But you know better than to change again, because you tried that thing once, working like that artist you read about who kept nineteen different projects going at the same time, gamboling about his studio adding a dash of color here, a touch of spice there, probably singing operatic arias and feeding the birds from his hand, like Cinderella, as he did so. But that never works for you. You have to do one thing at a time. So you keep working on this idea. Even though it’s the wrong idea. Because you need to do art, and if you don’t use the time you decided on and set aside for it, the time you clawed away from work and from sleep, you’re not an artist.

So you work. And it’s lovely. The world falls away: you don’t feel thirst or hunger, none of the needling of need, and your thoughts, blessedly, turn off. There is a glorious silence. Heaven forbid you have somewhere else to be and a time to depart, because you’ll miss it. Then again, if you don’t have a reason to stop, you may surrender all the light of the day, all the peace of the night, to your work. You arise from your working space with pins, needles, cricks, stiffenings, aches; now you’re hungry, now you’re thirsty. Now you’re an artist.

And it is to be hoped that you finished what you were working on. Because coming back to it after a stop, it never feels quite right. Time away from it gives you time to think about how wrong this idea is, and how it’s not coming out the way it’s supposed to come out (like milk and honey, it’s supposed to flow like milk and honey, to fall magically from your unconscious to your hand to the paper), and how you can’t quite make it feel the way it felt in your head when it was just an idea, and looking at it now you can’t remember what you were going to do next, and now you realize that you did that thing wrong — what were you thinking? That is terrible. You’re not an artist.

It’s only right when it’s finished. When something’s finished — and long finished, not ink-still-wet finished — then you sometimes look back at it and think, “Damn. That is good.” And then you think, “How the hell did I do that?” But right then, it doesn’t matter how: you did do that. That was you. That makes it all worthwhile. Because you’re an artist.

Except nobody else sees it. Nobody else cares about it. You send your work away to the people who buy and sell art, and they never even look at it, because they’re not concerned with art, they’re concerned with buying and selling. And you and your art won’t make them any money. You read of famous artists who were rejected over and over, twenty times, thirty times, before they were accepted, and they say “Never give up! Ignore rejection!” So you keep trying — twenty times, thirty, fifty. A hundred. Maybe you’re not as good as you thought you were. Maybe you’re not an artist.

But never mind: it’s art. It’s right there, and you made it, and it’s good art, you think. So you ignore the chorus of twenty, thirty, fifty, a hundred small voices in your head that say, “No, that’s not what we want. That’s no good. You’re doing it wrong.” It helps now if you have loved ones who support you; they can drown out those voices. Mostly. Though their voices come with one other, a little one, dry and creaky and quiet like Jiminy Cricket and the Cryptkeeper rolled into one, and this voice says, “They’re only saying that because they love you.” But it’s only one voice. It’s easy to ignore. For a time.

But never mind: it’s art. It’s right there, and you made it, and it’s good art, you think. Maybe you just have to do something a little different. Maybe that other idea would be better. This one doesn’t feel right. That’s why it was rejected. It’s no problem, adding this piece to your collection of finished and unpublished pieces; someday they will write books about these, have displays in museums and galleries of your early work. This will be known, someday. It’s art, and you think it’s good. You’re an artist.

You do it again, and again, and again: lose yourself, finish a piece; let some time go by so you can see your work instead of seeing only a collaboration of flaws you couldn’t fix. No: this one’s good (“No good,” shout the fifty, the hundred.). And now you have a new plan: you’ll put it on the Internet. The hell with those fifty businessmen, those hundred empty suits, those Philistine fat cats; you’ll take your work in front of an audience yourself, take your message straight to the people, no middlemen. This is the digital age: you don’t need some corporate shill passing judgment on your work; all you need is a blog. You’re an artist.

You start a blog, maybe an online shop. You post your work. You wait.

One Like. Thanks, Mom.

Hey — now there are two Likes! Oh — never mind. It’s a spam bot.

Where are all those people? The ones who told you they loved your work? Who said you were great and talented? Who said they’d buy your work if it was published?

They’re buying other things. T-shirts and new shoes. SUVs. Vacations. Coffee. Beer. Concert tickets.

Not art.

Nobody buys art.

You try not to count the years. Sometimes you look at what you’ve done and you’re proud, you think, “Look at that. That’s a legacy.” Sometimes you look at the same work and you think, “How much time have I spent on this?” How much of my life have I given to this?” You think, “This isn’t right. I can’t be doing this right. Maybe I shouldn’t do this at all. I’m not an artist.”

But what else can you do? What are you, if you’re not an artist?

You think about why you became an artist. Obviously not for the money, you laugh — though it would have been nice to have made a lot of money. Or even some. Enough to buy something you could point to and say, “I paid for that with my art.” You can’t do that with a cup of coffee or an extra donut.

So why did you become an artist? Was it wrong? Has it all been a mistake? Is that why nobody buys your work? Why you’re only up to twelve followers on your blog, even though you have one hundred, two hundred, five hundred friends on Facebook? Share your art, get six Likes; share that kitten video, though, or that status about losing weight. Hell, asking for support in your choice to be an artist gets you a bigger response than your actual art does.

Now you feel a little bitter. A little mad at the world. We don’t live in a time or a place that values art. We should: art brings beauty and truth into our lives in a way we can abide, with just enough joy, just enough mercy to allow it to settle to our souls and become a part of us, making us larger, fuller, more whole. All the memes on the internet can’t match one genuine piece of art — which is why so many of those same memes are built on stolen art.

Yeah: that happens to you. Someone takes your idea, or takes the whole thing, your work, your art, and sells it themselves. You find out; you’re pissed; you look into the law — there’s nothing you can do. It’s the digital age, and nobody buys art. Everybody steals it. The laws protect those who make enough money to buy the laws.

You get a little more bitter.

Your art gets angrier. Sadder. It’s not as good, any more. People certainly aren’t going to buy it now, now that you’re ranting at them.

Now you face it. The end. You’ve tried long enough, done everything you could, you’ve done your best.

Do you give up? Surrender to the inevitable? There are too many good artists out there, and not enough people who buy art; the supply exceeds the demand. You’re just not good enough. Or is it lucky enough? Are you better than those who are making money doing what you do? Is there a secret to their success which you don’t know? You read the blogs of people who tell you they can give you the secret to making a living as an artist, but here’s the secret: you have to convince people that you know the secret to making a living as an artist, and then you get them to buy that secret — which is that you have to convince people that you know the secret to making a living as an artist, and then get them to buy that secret. Art is no longer a scene; now it’s a scheme.

So what do you do?

Do you give up?

If you give up, you’re not an artist, and you never were: everybody says that artists never give up, that artists are compelled to make art, that that compulsion is the only reason to be an artist: because you have no choice.

But it’s artists who sell art who say that. Just like the ones who say “Never give up! Ignore rejection!” are the ones who eventually got past the rejection to acceptance.

Not you. Maybe not yet: but maybe not ever.

So do you give up?

Are you an artist?