This is hard.

I wanted to explain why I haven’t been blogging very often, and why I haven’t been talking about the effort to publish my book. Why I don’t  write about writing. As a writer, I should — shouldn’t I? If I’m a writer? And even now, while I am trying to find the words for this, I immediately want to start apologizing for it. I want to say that I know this is a cliché, that everyone who writes, and everyone who makes art, we all have this same problem: that things have been said before, and why would I think that my way of saying them would be any better? I want to say that I know this isn’t interesting to anyone, but I felt a need to write it, so I’m just going to go ahead and do it: unapologetically apologizing. I feel like I’m lost in a fog, and I keep bumping into things, into people; I’m clumsy, and blind, and — sorry. Sorry! Oh, that was your foot. Sorry about that.

I want to apologize a lot. I’ve done a lot of things wrong, as a writer: I’ve made a lot of clumsy mistakes, often fallen on my face. I want to apologize for my first book being too long, which kept it from being published; I want to apologize for giving up on seeking an agent to represent me, and I want to apologize for taking so long to get into self-publishing. I want to apologize for being a teacher, and for being good enough at it, and believing in it enough, to take time away from my writing; clearly I should have taken a shit job so I could focus entirely on accomplishing my dreams. I want to apologize for wasting my years being happily married and not having kids; because even though I never wanted kids, the best reason that I can give anyone who asks me why not is that I wanted to focus on my career; and after all this time, I haven’t done enough to earn justification for that decision. I’m sorry. (Still not sorry I didn’t have kids. Absolutely not sorry about my marriage.) I want to apologize every time I write on this blog, because my book reviews aren’t good enough, because I don’t socialize with other bloggers enough, don’t follow enough, don’t comment and Like enough. I want to apologize for my essay/rant/blogs because I’m sure I’m offending someone, either because what I say is offensive or because it isn’t offensive enough. I want to apologize for not having enough expertise to really teach a general audience something they didn’t know before, and therefore wasting their time with my mediocre insights and tired, angry humor. I want to apologize for not writing short stories and poems, for not getting published in literary journals, for constantly shifting my blogging style and my intent with this blog.

Basically, I want to apologize for being me, at least the me that I think I am, though I’m probably wrong, probably indulging in some ridiculous fantasy so as not to face the truth of my mediocrity. I’m sorry. All I can say is, this is hard.

I’m pretty well lost in the dark out here; I don’t know where I am, or the right way to go, or what’s at the end of the path — or even what’s the path. I think I know what it takes to be a writer, but it’s hard to remember what I think I know, and it’s hard to believe, still, in what I think is true, no matter how many times people, including people I respect and admire, say the same things: never give up. Write every day. Write what you know, and write what you want; don’t try to chase the latest trend or the hottest thing: just don’t give up. I want to hold onto those touchstones, follow that map laid out for me by those I would be honored to follow, whose footsteps I dream of walking in.

But see, those are great writers who say that. People who have found success, who have published books, who have sold books. Not me. They have an audience: people want to read what they have to say. They have interesting and useful thoughts, crafted from the perfect words. They know what they’re doing, they can see the way to go; they can see it all so well that they notice the tiny details, they see little moments of beauty, or oddness, or even horror. I can’t even see the ground under my feet, can’t even see my feet, when I start writing: what makes me think that my thoughts, my words, are the right words? And if they’re not the right words, what the hell am I doing? I could be getting ahead on my school paperwork, and I could be playing video games and binge watching all the shows I haven’t seen. I’d be more comfortable at my day job, and I could participate in the conversations about pop culture. I’d know where I was, and I’d know what I was doing. I’d know what was right.

But when I decide to write, I step away from that comfortable, familiar assurance, that life like an easy walk through a mall. Air conditioning, clear lighting, You Are Here maps. And I step into confusion. Every time I write, I have to wonder: What is the right thing to write?

Who is the right me to be?

Figuring that out is hard. Not that actual figuring: I think that’s pretty simple. I mean, I think I am a writer. But I don’t really know why I think it. Every reason I can think of to support the assertion that I’m a writer, I can instantly, with no trouble at all, think of a counterclaim to disprove it. I’m good with words: but I don’t do enough drafts, don’t spend enough time on the work. And . . .

Oops. Turns out I can’t even think of a second reason to call myself a writer. I can keep going with reasons why I’m not a writer: I haven’t had any success, never sold a story, never got accepted for anything, been blogging for ten years and never broke 100 followers. I have never written a way out of the darkness where I go when I try to find the words. Never reached the light.

It is very hard to keep thinking that I should in fact keep writing at all, let alone finish this blog, let alone keep writing books that I don’t believe anyone will want to read. I mean, really, what’s special about these words? I didn’t create anything new with them. I didn’t describe anything that’s never been described before; in fact, I don’t think I described anything. They’re just words, and they’re just from me. Who cares?

I’m sorry for wasting all of our time.

I’m trying to come up with a final epiphany, an affirmation that can sustain me, keep me writing, make people understand why I do this, and why every other creative should continue to do it, too. (But then the voice in my head says, I’m not that creative. My book concepts are entirely derivative: a vampire story? Really? You wrote a book about a pirate? TWO books? Oh, good Lord. Let me guess: your blogs are about you being an angry progressive who doesn’t understand why our country is so stupid, right?

Have you ever considered that maybe it isn’t the country that’s stupid?)

Sorry. It’s hard to keep that voice silent. Hard to think that all of that isn’t the simple truth.

It’s hard to think.

I also get afraid, sometimes. I don’t deal with depression, myself, but so many artists and writers do. Today is Virginia Woolf’s birthday, and she’d think everything I’ve ever written is absolute shit. She was one of the best writers who ever lived. She killed herself. So that means either that I can’t be a good writer because I don’t have the same problems that the good writers have and had; or if I ever get to be a successful writer, I’ll hate every second of it, and want to get back to where life was simple. I’ll want to walk away from writing, from the place I worked so hard to get into. I’ll get there, and I’ll want to run away.

Why the hell do I do this, again?

I’m sorry. I shouldn’t keep repeating myself. It’s a bad habit. I think I’m looking for something familiar. Safe. Known. Which writing is not. Really, I shouldn’t be writing at all: I have way too many bad habits, and I don’t spend enough time taking extra classes, and studying exactly what my favorite writers do,  and carefully scrutinizing every line of prose I’ve ever written to determine how it could be improved. That’s why I’m not a good writer, which is why I’m not a successful writer. Because writing is hard, and I’m too lazy, and too cowardly, to actually do it right. I’m also too old: all the great writers publish their first great books much younger than me. I’m 43: clearly time to get to work on finding some other hobby that would be better for me, that wouldn’t cause me as much consternation, that wouldn’t be so hard. I can’t keep doing this one. I can’t.

But I’m still writing. Doesn’t that show that I am, in fact, a writer? Maybe even a good one, because I don’t give up? Because I try to be honest? Share what I feel and what I see in the world?

Sure, if what I shared and felt wasn’t shit. But if it is, then people are just rolling their eyes and laughing at me. I mean, I guess I don’t care if people are laughing at me, but I also don’t see any reason to keep going if people aren’t appreciating and enjoying my work.

And yet I’m still writing. Still trying to find a way to finish this, to make a point. I think I may have written myself into a corner with this whole “I should stop doing this” thing. I think I already contradicted myself pretty badly, and I’ve probably confused the shit out of anyone who is reading this. I’m pretty lost, myself.

This is hard.

I don’t want to give up. I don’t want to need readers: I want to write for the sheer joy of writing. I feel that sometimes. I get excited about stories. There have been some moments when I’ve looked back over what I’ve written, and I’ve impressed myself. I want to feel that the thousands upon thousands of words that I have put together are an accomplishment, that they mean — I don’t know, something.

And in my best moments, I do think that. I do think that anyone who has written four books — Jesus, four books! And hundreds of blogs, book reviews, essays, along with two-thirds of two other books — I mean, that person has to be a writer. Right? I don’t know where the line is between writer and non-writer, but I’m pretty damned sure that nothing else I’ve done in my life compares to what I’ve accomplished as a writer. (Not counting the things that matter, but aren’t really accomplishments, like being happily married and taking good care of my pets and such. If those are accomplishments, I’m proud of myself for them. If those define me, I’m proud to be those things.)

Actually, that’s not an if. I am proud of the husband I am, of the marriage I have helped to build and keep. Toni and I have been together for 23 years, and she is still the one thing in the world that makes me happiest. She is my world. I have given a home to an iguana, a dog, and a bunny who have all passed on after long healthy happy years; I am currently taking care of a dog, a cockatiel, and a Sulcata tortoise who are also living happy, healthy lives. I am absolutely and unequivocally proud of that. I am happy to be defined as that man, that husband, that father of many pets. I have no doubt of that: knowing that is not hard. This is where I am comfortable, where I am — mostly — sure of myself, and of the ground on which I stand.

I wish writing was the same way. That art was the same way. Comfortable. Sure. Easy.

But the truth is, it isn’t. Art isn’t easy. Art is never sure. Art is never comfortable. We live on mostly solid ground, and we can see all around us; but art is off the edge of the map. It has to be, because it is created. It could be created out of familiar pieces, it may be shaped to resemble something that we’ve known, but — it’s not something we’ve known. It’s something new. To make something new, you have to go away from solid ground. Where everything floats, and nothing is clear. You can’t see where you are, can’t see where you’re going. That’s the only place you can make art: can make a new place to stand.

Art is too big, too impossible to define, too hard to understand. It’s larger than we are, you know; I mean, of course. Of course the English language, and every concept that can come from all the creative minds that have ever existed, of course that’s all larger than me. And when I compare myself to that, of course I am insignificant, a bug, a nothing. Nothing at all. Trying to find my way in that unending expanse, that eternally shifting and growing universe, that limitless world being created and re-created every day, by every artist? Of course that’s hard. It should be.

And I’m still writing. Goddamn it, I’m still writing. Not as well as some others do, maybe not even as well as I could, given the perfect circumstances: if I didn’t have to work, say, or if I had some perfect storm of idea, and passion, and time, and could burn through my own Fahrenheit 451, my own Bell Jar, my own God of Small Things. But given everything I carry with me when I go marching into this unknown, into this mysterious world where art exists, where I make art, where I am past the familiar, through the looking glass, where even the landmarks do not exist until I create them — I think I do as well as I can. I don’t know if it’s good enough. I don’t know what “good enough” means.

But I’m still writing. Maybe it’s even more impressive if it isn’t good enough, because if I can’t have enough talent to really be good, at least I can have enough courage to keep trying, to keep writing, to keep going out into that chaos of formless possibility, and deciding: choosing: determining: building; and then going back to where I was, to the real, solid, familiar world, and carrying with me the thing I made — which is never like the real world, and every time I compare it, I know that what I made is not as clear, not as solid, not as real as the real world. But still, I bring it back here with me, and I give what I write to other people, and I say, “Here, read this. Look at what I made. Tell me what you think.” That does take courage, to dive into the unknown, and try to build yourself a place to stand before you fall: and then to invite other people to stand there, too. That takes courage.

And I’m still doing it.

I’m still writing.

A Letter to My Readers

Okay so here’s the thing.

I’ve been having something of a crisis of confidence. Maybe not a crisis, actually, because it’s been going on for quite a while; I’m still not out of it, in fact. But I’m realizing that it is probably more important than I’ve been giving it credit for being, and it almost certainly has to do with this blog, and what has happened to the kinds of things I post on here. I think this is the reason why I’ve reduced myself to posting only book reviews (Not that there’s anything wrong with that), and why all of my intentions to post frequently have fallen by the wayside, so that now I’m lucky if I get one post a week on here.

What happened is that I found out that I’m not actually very good at arguing. I think quickly, but I think shallowly; I tend not to do much research, I don’t argue about things that I have spent years learning; I jump in with both feet and start slinging opinions around everywhere. Then I get angry, and I start insulting my opponents – sometimes subtly, sometimes not so much – and when they insult me back, then I get huffy and leave the argument on my high horse. Though frequently, I say I’m leaving the argument but then I don’t; I just take a little longer to think up my next response, or I let other people talk for a while and then I wade back in. Basically, I’m really, really annoying, and the main reason why I always thought I was good at arguing was because I surrounded myself with people who agreed with me, and who therefore complimented me on my ability to take down my opponents. I don’t think I actually took them down very often; I just needled them into shutting up, or else I made wittier fun of them than they made of me, and so my audience applauded.

I don’t like this, but it’s true. It may be a little too harsh; I have had many arguments, and some have gone well, and sometimes I do know what I’m talking about. But ever since I found this out, I’ve noticed how often I talk without thinking, how often I ignore the need for facts to support my arguments, relying on words and, y’know, “logic.” Meaning explaining my thoughts and expecting other people to agree with my thoughts, which is mostly what we mean by logic. I have noticed how often I get angry and then say something shitty. And so I’ve started deleting those nasty comments, and more importantly, I’ve started avoiding arguments. Which I think is a good thing.
Along with that, however, I’ve stopped thinking that I should be ranting about the state of the world, and then sharing those rants with the world. I no longer see myself as a natural authority on truth, justice, and the American way, because my reason for thinking that was mostly that I could win arguments, which I thought made me right. It doesn’t. And if I’m not right, what exactly am I bringing to the table when I post about politics or the state of the world?

Not much, as it turns out. I don’t have a whole lot to offer society as a whole. So I’ve stopped wanting to offer it.

But there’s good news. I still think I write well. I think I have good stories that I’ve written, that I am writing. I think I do a decent book review, though there are certainly others who do more thorough assessments of their books, and who give more useful information; but I think mine are okay, so I’ve kept writing them. But that isn’t the exciting part. The exciting part is that I have kept writing fiction, and other than the fact that I have to spend much too much of my time working and also living my life, I have been writing fiction the whole time I have been pulling away from blogging and ranting and arguing. Which, yeah, that’s good news. Because I write well.

And then this last week sometime – the days all blend together, it seems – I had another realization. While I’m going through this fiction-writing adventure: why the hell am I not blogging about it? I mean, sure, it’s a change from what I’ve done in the past, but if that stuff was not very good, maybe this is a good change. Maybe I should stop ranting for a while, and instead keep this blog as, y’know, a blog, a weblog, an online journal detailing what I’m living through right now.

So to that end, I plan to start keeping a record, as often as I can manage, about this new thing I’m doing. I may still rant sometimes (I certainly will have some ranting to do about school and the world of education, I have no doubt) and I’ll keep up with the book reviews as much as I can; but otherwise, this will be the subject of this blog. Rather than trying to be Just Dusty, I’m going to make this – just Dusty.

Oh right. So what am I going through, you ask? Those of you who are still reading this, that is? Both of you?

I’m publishing my book.

I did this before, but I did it in such a terrible way that I don’t even count it. I wrote a book, completed it in 2006, and then when it wasn’t picked up by an agency or a publishing house after fifteen or twenty query letters (I think; I don’t even remember at this point how often I sent it out, though I do remember buying at least three Writer’s Markets to look for leads), I decided to self-publish it as an ebook. I joined Amazon.com’s Kindle publishing program, followed their instructions, and uploaded my book to the Kindle Store. I made an author profile, and – that’s about it. I didn’t really edit the book — still had more than a dozen simple typos, and I don’t know how many clunky passages, because I didn’t go through and smooth them out. It didn’t have a cover; I found a pattern image on my cheap-ass graphics program, slapped the title and my name on the front, and called it good. Here, this is it:

 

The Dreamer Wakes (The Dreamer's Tale Book 1) by [Humphrey, Theoden]

Yeesh.

My plan was actually to include a plug for my book in all of my Amazon reviews, because at the time, I had something like 100 book reviews on the site which had garnered some thousands of positive votes; seemed like a good opportunity to say, at the end of my long and detailed reviews, “Hey, maybe you should go check out my book, too.” But when I added a line at the end of my reviews, Amazon pulled them from the site. Because you can’t advertise for a book in the reviews of a different book. And of course I get that – but also, why the hell not? The whole page is designed to get customers to look at other books, other books by the author, other books that people bought after looking at this book, other books that Amazon thinks are related to the one you’re checking out. My review plug clearly wasn’t Amazon’s choice for readers, only mine, so I didn’t see why they got pissy about it. Anyway, I pulled the plugs out of the reviews, and then I did nothing at all to promote the book. It’s still there, still for sale, but in the two years – three years? – that I’ve had this particular blog, I don’t believe I’ve ever mentioned it before.

Turns out I’m not only bad at arguing, I’m also bad at advertising.

But it’s okay! I’m really not trying to denigrate myself. It’s still a good book. (Though the larger problem now is that it is actually the first book in an intended trilogy or tetralogy, and I’ve never written the other books. Which is vile and wrong of me, and considering how much crap I’ve talked about George R. R. Martin for never finishing the Song of Ice and Fire series of books before he turned into a TV mogul, it’s really pretty appalling that my only work available for sale is an unfinished series.) It’s just not the story I’ve been writing.

The story I’ve been writing, which I have brought back for its second go-round as a serial blog, is The Adventures of Damnation Kane. It’s the story of an Irish pirate from the 17th century who finds himself, with his ship and his crew, in 2011. I started this story in 2013, kept it as a serial blog for about a year, and then stopped. But I love this story, and I want to finish it all the way to the end; and this time, while I’m writing it, I also want to publish it. This time, I have a real plan. This time, I’m going to do it right.

And that includes trying to talk up the book wherever and whenever I can. I want people to be as excited about the book as I am.

Which means that I should be talking about it – here. Among other places, of course, but certainly, at the least, in this space, which is supposed to be a collection of my thoughts, of the things I believe are important. If I don’t put my own book into this space, what the heck am I doing? If my own work isn’t important to me, then what is?

So here’s the deal, you two people who stuck it out through all this navel-gazing: The Adventures of Damnation Kane are currently available, from the beginning, on my other blog. But only until I get the book published, and then the chapters will come down; I will keep up a couple of the first chapters so a new reader could get an idea of what it’s all about; and I will keep posting new chapters every Saturday as I’ve been doing for ten months, now. The first volume of the Adventures will be available in trade paperback form, and also as a series of four short ebooks; my readers on this blog who review books, I will be asking you all to write me a review, if you would be so kind. And in the meantime, while I am working on getting these books out into the world, I will be writing about the process and the experience of writing and publishing books.

I hope and believe that this time, I’m on the right path. Thanks for coming along with me this far.

Yours,

Dusty Humphrey

Truth

It seems to me there are three ways to come at this essay about the different kinds of truth. The first and most obvious – to me, at least – is to quote the diabolical Sideshow Bob from The Simpsons, who, when on the witness stand and told that the court wants the truth, scoffs, “You want the truth? You can’t handle the truth! No truth-handler you! Bah, I deride your truth-handling abilities!”

The second (and only slightly less amusing) is to make reference to the classic Dwight Schrute meme where Dwight points out the problem with a statement – here, if I may indulge in a visual, is one of my favorites:

Image result for dwight schrute false meme

But I believe I will select the introductory quote about truth that is nearest to my own heart: Dan Rather, the former anchor for the CBS Evening News, said, “The dream begins with a teacher who believes in you, who tugs and pushes and leads you to the next plateau, sometimes poking you with a sharp stick called ‘truth.’”

I would like to poke you with a sharp stick called ‘Truth.’

This would seem, at first, a fruitless enterprise. After all, truth is truth; how can there be kinds of truth? But in fact there are, simply because we are flawed creatures, we humans; we cannot know everything, and so we cannot know absolutes: there may be circumstances and conditions under which anything we think to be true may in fact not be. Therefore there are at least two levels of truth: truth we can know, and truth we cannot because it is absolute and thus requires omniscience. Or more simply, truth we can know and truth we cannot know, but which is nonetheless truth. The key here is to accept that knowing truth changes its truth-value, which is the concept I hope to prove in this essay; the upper limit is truth which requires omniscience to know, but there are degrees leading up to that limit, and recognizable categories, which I will attempt to explicate.

By the way: because I wrote out that Sideshow Bob quote, now my word processor wants to autocomplete “truth” into “truth-hand” every time I write it. This is both wonderful and annoying.

Like truth.

Let us begin with a basic understanding of truth. Truth is perhaps best defined through defining its opposite, falsehood; I would argue that there are essentially two kinds of falsehood, which are one, untruths, and two, lies. Untruths are things – ideas, statements, assumptions – that are not truth because when one attempts to verify them objectively, one finds reality does not match the untruth. If I were to believe it is raining outside because I am in a room with no windows, I can look out through the door and discover whether my belief is true, or untrue: if it is raining then the belief is true, and if it is not raining, then the belief is untrue. This is the first point in arguing that knowing truth changes the truth-value: because the belief that “It is raining outside” is objectively true somewhere, presumably at every possible instant that one could believe it – especially if one broadens the concept of “rain” to include liquid precipitation on other planets and celestial bodies. So sure, it is always raining SOMEWHERE – but unless it is raining where I personally can verify it through my senses, then it doesn’t really matter to the truth-value of my belief; if I were to step outside into a sunny afternoon and say “It’s raining,” someone’s response would likely be

Image result for dwight schrute false

The second kind of falsehood is a lie: this is when the truth, objectively verifiable through the senses, is known, and an idea is put forward that is known to be counter to that truth. This is when I am in a room with windows, looking out at the sun, and I say, “It is raining.” The advantage for our purpose here is that it doesn’t matter which kind of falsehood it is, the truth is always the same: objectively verifiable through the senses.

But there is a difficulty there. Because there are truths that we have discovered, truths that we know, that are not verifiable through the senses, that are not objective. A strict prescriptivist of truth would argue that these truths are therefore not true, because only objectively verifiable facts can be true. To those people I say: talk to Heisenberg. (And this is funny, because it’s mostly science-y people who would say that, and Heisenberg is about as science-y as you can get. Take that, science!) The Heisenberg Uncertainty Principle tells us that when a particle has two complementary properties, such as position and momentum, we cannot know both properties at the same time. If we know precisely where the particle is at a given moment, then we have frozen that particle in time, which means at that instant, to us, it has no momentum: picture it as a snapshot of the particle, showing us where it is, but in that snapshot, it is not moving. Alternatively, we could know the particle’s momentum, its velocity and direction; but we can only measure that by tracking its movement – which means that, over the time period when we re tracking its movement, we cannot say precisely where it was: only give a range, somewhere between Point A and Point B.

The real point is, that particle has both momentum and position, and both of those properties have objective truth, both are definite, verifiable facts – but we can only know one at a time. Knowing one makes it impossible to know the other, but it doesn’t change its truthiness.

Therefore we must add a word to our definition of truth: truth is an idea that is potentially objectively verifiable through the senses. If we had world enough and time, we could verify it; therefore it is true. But I hope we can all see that a truth that is objectively verifiable through the senses has more impact, more weight – more gravity, let us say – than a truth that is only potentially verifiable. If I suspect that the rain falling outside my room is in fact acidic, but I don’t have the instruments to test, then I may want to respond as if it were acidic, and act to protect my plants, let us say; but in the process I will undeniably encounter the verifiable truth of the rain itself: I will get wet. I am more likely to respond to the fact of wetness than to the theory of acid; that truth, then, has more weight, more potential to change my thoughts and actions. That truth has more gravity.

As I was saying, then, the lowest level of truth is one that is only potentially verifiable, but cannot be objectively verified. In fact there is one level of truth lower than that, based on knowledge – or rather, on ignorance; because if knowing a fact gives it more weight, then not knowing gives less. So the lowest kind of truth is truth we don’t know. It’s true, but for us, it is meaningless; because of our ignorance, this is equivalent to the absolute truths we can’t know. In either case, we can’t act on it, or change our thought process or paradigm because of it; it has no impact on us. For us, it might as well not be true, and so it has only the barest sliver of truth. That bottom level is the fact of rain outside a room with no windows and no doors. Or whether or not the worm currently crawling through the earth beneath me is depressed. I don’t know, and so cannot act on it. That’s the lowest kind of truth—and I apologize for using an underground worm’s depression as an example; I really didn’t think about the pun there.

As for truth that could be verifiable but can’t be objectively verified, let’s use as an example the infinite nature of the universe. Is the universe infinite? No idea. We’ll never know. In theory one could find a mathematical proof of it, if we could find the existence of the multiverse and the mechanism whereby new universes are created, but we can’t ever know it for sure. The only thing this kind of truth can do for us is give us a headache: it feels like we could know, but we can’t actually know. This kind of truth is a tease. At best a Zen koan.

Just above that level is an idea that I think is true, but I don’t know why I think it’s true. This kind of truth has the potential of being objectively verifiable, but I as the knower don’t know how to do that, and therefore could never verify it. This is where most racist ideas live. Why do racists think white skin is better than brown skin? They don’t know, but they think it’s true. There are quite a number of outright lies at this level, because people might be able to figure out how to verify their beliefs, but they don’t want to, because the truth will likely be the opposite of what they believe it is. That, in my opinion, is a lie: when I say it’s raining outside, but I refuse to open the door and look because I think it is probably sunny – but I won’t admit that.

The next level up is something that I am sure is true, and that I have evidence for, but which is not clearly objectively verifiable based on my evidence. This is where superstitions are found: Michael Jordan believed that his lucky shorts were one of the reasons for his success, and he wore them for every game he played. He won six NBA championships and three MVP awards wearing those shorts; so there is some evidence that the shorts were lucky. Just not verifiable evidence, because “luck” can’t be tested for – but just like (Okay, not just like) the uncertainty principle, if we were to create a laboratory experiment to confirm that the shorts were not lucky, the element of luck in the form of blind chance or influences on the experiment that we could not control would ruin the results: if we had Michael Jordan play half the time with his lucky shorts and half the time with “control shorts” (Which makes him sound like he has bladder control issues, which is just sad), that doesn’t mean we can make his teammates play the same in both games, or his opponents play the same, or even control all the other factors that go into Michael Jordan playing well or poorly. We can’t prove the shorts are or are not lucky, but there’s objective evidence in the form of success that says they are. And that’s why luck still exists as a concept, and why Jordan wore the same pair of shorts every game for almost fifteen years.

Oh – he did wash them, by the way. After every game.

The next level is one I don’t want to include, but I have to because of the parameters I have set forth. If someone knowing a thing makes it more true than something that nobody knows, then if a lot of people know a thing, it has to be more true than if only one person knows it. Because a known fact has more weight, more gravity, and that is an element of the fact’s truth-value. So the next level up is a thing that is known, with evidence but without objective verification (but still potentially objectively verifiable – have I broken your brains yet?), by a lot of people. I hate this because I don’t want to say that the popularity of an idea has any bearing on its truth, but in fact, if we want to include a truth’s potential to change someone’s mind or behavior – and I do, because otherwise there is no point to speaking about truth at all – then I have to make this a separate and higher level, because something that a lot of people believe to be true has a much greater chance of changing their behavior. This is something like this statement: Hillary Clinton’s use of a private email server makes her a poorer candidate for president (Meaning she would have been a worse president than someone otherwise identical but who didn’t use a private email server; the statement that the private email server made her less likely to win is objectively verifiable truth, because: well, look.). A lot of people believed that Clinton’s private email server made her less trustworthy, and therefore a bad candidate for the Presidency. And because a lot of people believed it, with evidence (Because that’s an untrustworthy act) but not objectively verified (Because she never became president and so we can’t see how untrustworthy she would have been in the Oval Office), it had more weight: it had more impact. It changed enough votes that it, along with other factors, changed the outcome of the election. That truth had more value, more gravity, because more people thought it was true.

Are we having fun yet?

The next level is something that is true not because it is objectively verified but because it cannot be disproven. This is sort of an offshoot from the last level, because there isn’t objective verification, but there is somewhat more weight to these ideas because there is an argument to be made for them, that nobody can disprove the idea, that makes it more likely that people will accept it as truth, which increases the truth-value or gravity of the idea. (Don’t worry: we’re almost at the top. Almost at simple truth. But not quite.) This is the level where God lives. The existence of an omnipotent, omniscient, non-material personal deity is impossible to disprove: there is no observation I can make that would prove that God doesn’t exist. According to science, this makes the god-hypothesis false, because it is unfalsifiable; but I’m not talking about science, I’m talking about impact on humans through the intersection of objective reality and knowledge. There are quite a few people who know God’s existence is real, and since God cannot be disproven, that gives the idea more weight than Michael Jordan’s lucky shorts. (You have to be an atheist to make that statement with a straight face. Okay, I was smiling a little when I wrote it.) It moves the truth of religion to a higher level, how’s that? Not objectively proven, but not objectively disproven, either.

But now, at last, after ignorance and belief and faith and falsifiability and religion and – Lord help us – even sports, we come to the simplest level, and nearly the top. This is where we find: the truth. Simple truth. Facts, with known evidence, which are objectively verifiable: I can look out my door and see that it is or is not raining, and I can actually test it to make sure that it is rain. I can step outside, and I will get wet. Truth. Simple truth.

Of course, even this level isn’t that simple, because the evidence of our senses is, sadly, not necessarily reflective of objective reality; all my senses could verify that it is in fact raining, but I could be mad, or in the Matrix. But that moves us over into the question of absolute truth, and since I can’t know absolute truth, it doesn’t matter to me: absolute truth is actually down at that bottom level, truth I don’t know. (There’s no way out of Descartes’ labyrinth here, by the way. In the Matrix, it is possible to know that the Matrix is not real – but then, the second movie shows us that there is another level of truth, that Neo is the sixth version of the One, and the other characters did not know that truth; and then past that there is another level – because the character Neo, like the character of the Architect who makes him, who made the Matrix, don’t know that they’re actually in a fictional movie. The only truth we can ever know is what our senses tell us. Period. Cogito ergo sum.) We take our reality as just that, as reality, and that is all we know, and all we need to know. That is truth.

One level left: that is the important truth. The weighty truth, the truth that is both objectively verified and also able to change thoughts and actions of humans; the kind of truth that makes a paradigm shift, that combines both science and popularity, and therefore moves mountains and changes continents. Proven facts that also have gravity. This is, for example, the truth that every living thing dies.

The truth that love conquers all.

The truth that money makes the world go ’round.

The truth that man’s inhumanity to man makes countless thousands mourn.

The truth that art is humanity’s highest calling.

The truth that beauty is in the eye of the beholder.

The truth that evolution through natural selection is sufficient to explain all complexity in the biosphere.

The truth that we’ll never know how many angels can dance on the head of a pin.

My last truth is this: we can handle the truth. We can. We do.

Just not enough.

Tied Down at the Edge of a Cliff

We say we have to get me out of teaching. We say it often, laying in bed at night before we turn the lights off, when we usually turn to face each other, heads on pillows, and sort of put a punctuation mark on the day – sometimes an exclamation point, sometimes a question mark; but usually just a comma or a semi-colon, because the end of the day is almost never an ending, almost always a brief pause for breath before we go on with the next clause, the next day, separate from the last but still connected – always connected.

My life is a run-on sentence. And I don’t know how to stop it.

No: I know how to stop it. (And I’m going to leave this metaphor behind now, this navel-gazing grammatical pun. Jesus, Dusty. Get a life.) I could change my life quickly if I leave everything behind, including my wife and my pets, a sentence that took me several tries to actually write. I could change everything if I left everything. I do what I do so I can earn what I earn so we can live how we live: as we. But our bed, where we lay at night together, is actually the ground at the top of a cliff. Everywhere I go, I am at the top of this cliff. At night we lay together, our heads heavy on the pillows, and we look into each other’s eyes and I tell her how much I love her and she smiles at me and I love her more, and then we kiss goodnight, and roll over – and I stare off the edge of the cliff.

The cliff is the edge of my world. I don’t mean the end of life; I’m not talking about dying. I’m talking about where the place I am, the place I live, where it ends, abruptly, startlingly, dangerously. Honestly I have pretty much always stayed near that cliff’s edge, in various ways. But never too near: because I am a coward, I think. And though every night I look out into the open air beyond that cliff, to actually jump off that cliff and land somewhere entirely different – or perhaps instead of landing, take flight and sail across the sky, which is how I imagine it would feel to be a writer – I would have to leave behind everything I am now, everything that is this place where I live, this life where I live, where I sleep with my head heavy on my pillow and my eyes straining to look out farther but tired, so very tired, with the looking; but behind me (or no: before me, between me and the cliff, not to protect me but because she is even closer to the edge of that empty space that might hold a new life) is the best woman in the world, and at our feet lies the sweetest dog I’ve ever known, and nearby are a bird and a tortoise who need me, who are tied to me, who are weighing me down. And none of them – not even the bird, sadly – can fly.

Let me be clear: it is not my wife’s fault. She never asked me to get this job, never demanded a larger home, a larger paycheck, health insurance, stability, all the tethers of the modern world that tie me down at the top of the cliff, safe and immobile, able to turn my head and look out to eternity, growing and throbbing out there beyond the fall to the bottom. She doesn’t demand them of me now, never tells me when I talk of leaving teaching that I can’t do that because the family relies on my stable income and health insurance. She has never said that once. She never would. She lies with her head on her pillow, holds my hand, her fingers exploring mine as she imagines drawing my hands (as she imagines drawing everything), and says, with her eyes sad, “We have to get you out of teaching.” Now that she has tethered herself down right next to me – but closer to the edge of the cliff than I am – she says “We have to get ourselves out of this.”

Then we talk about how we can be free, mobile, able to pick and choose what we do with our lives, if we just buckle down and teach for three years and pay off all of our debts. Maybe four years. Maybe five. Tethered down right at the edge of this cliff, looking out into space, lying with our heads heavy on the pillow, holding hands.

I’ve never jumped off a cliff. I jumped off a swing into a river, once, but I landed flat on my back when I tried an ill-advised backflip; it hurt. I don’t remember if I went back on the swing again after that, but probably not; I’m a coward, and I always have been, and that’s why I’m still at the top of this cliff, near the edge but not on the edge. I’m looking out on this vista, this panorama, of wide open space, and I’m – I don’t know, shouting over the edge? Maybe whispering, blowing words like soap bubbles, glittering and evanescent as they drift pointlessly free? But I’m still here, on solid ground, holding on for dear life even though I am nowhere close to falling.

I should be falling. If I was a writer, I’d be falling; if I was falling, I’d be a writer.

Instead I am – yes, I know it. A spider. Remember the tiny ones at the end of Charlotte’s Web, how they spin out a single thread of silk and throw it up into the wind, letting the air lift and carry them away? That’s how I want to go out over the edge of the cliff; not free fall, not dropping down and just hoping that something will catch me, though I’m not sure now if that’s because I’m a coward or just because I don’t care for the thrill, never have, never liked adrenaline, never wanted to feel alive because I almost died. I hate stories that rest on that idea: that life is either risk or boredom, that everything that is lovely or pleasant or simple becomes blasé, because I feel like if I could live forever, I would just read all of the books that I won’t have time to read, and play all the video games, and walk over every inch of the Earth, and why would that get boring? I don’t believe that it would. And so I want to drift over the edge of the cliff, not plummet. So here I lay, throwing out single threads of silk, gossamer words, hoping that one of them will catch the wind and lift me free and sail me away through the sky – and my wife and our family with me.

I’m growing roots. I have been for years, though I frequently pull them out of the ground and let them wither and die. I don’t need the roots, though I don’t hate them; that’s probably why I let them grow, and maybe that’s why I haven’t gone over the cliff, because I don’t mind the slow growth, don’t mind drifting down into the earth instead of up into the sky. Maybe if there was a way to sink below the surface, grow a taproot large enough and deep enough and then pour myself down instead of drawing nutrients up, follow my own growth into the deeps, and then tunnel down through the cliff from behind its face, back behind the bones, down and down and down until I came to the bottom and then slid out from between the teeth, out with the breath of the earth back into the open air. Then I’d be in a new place, and not at the edge of a cliff looking out; then I would have changed, would have moved.

But I would have never flown. Never left the ground. Is that, could that be, what it would mean for me to be a writer? To move through the earth to new ground? Does that metaphor make sense?

Is this the thread that will lift me? Or the one that I can crawl down, like Dante down the leg of Lucifer, crawling down until suddenly he was crawling up, out of the depths of Hell to the mountain of Purgatory? But see, he was carried on that final voyage out. He was on a mission from God. All he had to do was hold on and wait.

I don’t think I can just hold on and wait. I think I need to move. I don’t know if I can fly and take my family with me – and I won’t leave them behind. There is nothing that would be better without them. I don’t even know why I say it, other than I know that most people who jump off the cliff, who make themselves suddenly into writers (or into flattened, shattered remains), go it alone. I don’t want that. I don’t think I ever have, but I know I don’t now. So the question is: do I keep throwing strands of silk into the air? Do I stitch them together into a single sail, and just wait for a wind great enough to lift me, and my wife, and our heavy heads from off of our pillows, and we can grab the bird and the dog and the tortoise in passing and carry them with us? Could there be a wind great enough to lift a sail large enough to carry us all aloft?

Or do I try to find a new way, this magic that will turn the earth beneath me malleable, let me alter the flow and the path of all things so that I grow in the wrong direction, turning the wrong into right? Honestly, I don’t even know what this metaphor means: would I write for the local scene, find local websites, write for the Tucson newspaper? Is that what it means to go down your own taproot, to go deeper into the earth, to become a writer by digging down? I don’t know. I want it to be magical, somehow, to be an alteration of the paradigm, a new path, a new alchemy that turns stone into water, just for me, so that I could swim through something that can’t be swum through – but though I can imagine that, I don’t understand it, I don’t know how I could do that, if it could be done. I don’t know if I’m creative enough to do it, if I have the wizardry to break the laws of nature. But since it took me four tries to actually type the word “wizardry,” I’m going to say the omens are bad.

Maybe I should try to climb down the cliff. Grind it out, slow and steady, keep working, keep writing, keep moving; no magic, just constant effort, every moment testing my strength to the limits, every moment hyperalert, looking for that next ledge, that next handhold.

I don’t know. I’m 42, and I haven’t started climbing yet. I might already be too tired just from lying at the top of the cliff. Lifting my head off that pillow every goddamn morning. Looking out at the expanse of sky and thinking about how wonderful it would be to sail away. Spinning my silken threads, my tenuous sails – watching them break and fall, or vanish off into the ether without me. And here I lie.

I don’t know how to fly.

Update.

Toni read this. We talked about it. And having talked to her about it, the answer is clear: we will be alchemists. We will swim through the Earth, and see where we end up.

I consider the metaphor of flight to represent getting published by a traditional brick-and-mortar company, selling books out of Barnes and Noble, the whole Best-Selling Author bit. I’d still like to fly. I’m going to keep sending up streamers of spidersilk, hoping that one will catch just the right breeze and lift me up into the sky. I would like that. For Toni, the same metaphor probably applies to suddenly hitting it big in the art world: becoming a name, being sold in galleries, getting commissions for public art, all of that. And that would be swell, too.

But that’s not the goal. Neither is the goal a safe and sure and trying descent.

No: the goal is to try something new. We plan to write and illustrate and sell graphic novels, and illustrated novels. I plan to go back to publishing a serial novel, which will be available as enriched and expanded e-books, featuring extra stories, back stories, side characters, and so on. Maybe we’ll run a book store. I will publish my novels, and she will sell her art – and we will see what we are capable of and where we can go. What new places can we discover, and explore? What exactly is down there, underneath us? Could it be even more intriguing, even more wondrous, than the sky above?

We will never jump off the cliff. And we will never leave each other behind. (Nor the pets.)

We choose – magic.

Too Much

I forgot to start the coffee this morning.

There’s been too much. Too much going on, too much to do, too much to think about, too much to remember. I forgot to sleep last night, too, after about 3:30; should be fun, since I have parent teacher conferences after school today until 7:00. There was also a department meeting scheduled in between school, which end today at 2:21, and parent conferences, which begin at 4, but my department agreed to just meet in our minds. It’s a good department. Of course, that doesn’t make the day much easier, as I still have morning duty, when I have to stand out in the parking lot before school starts to make sure that none of the students get run over, followed by a full day of classes, and then Toni and I have to come home – pick up a Papa Murphy’s pizza for dinner on the way – and walk the dog and check on the bird and the tortoise before returning to school for PTCs. I also have to make sure I have everything ready for tomorrow, because tomorrow is an all-day English conference at school, and so I need to lay out my sub plans for tomorrow, have to print rosters so the sub can take attendance, have to clean off my desk a little so they can find the stuff they need, and I’ll need to make copies of the worksheet I made yesterday – which means I hope the school has gotten their copy paper delivery, or else I’ll have to make up something else for them to do – and I also need to find a test question to use for my AP students tomorrow. And make copies of that.

Pardon me, the coffee’s ready.

Okay, that’s better. Coffee good.

Where was I? Right, still on the school day today. And of course, since parents will be coming in tonight to be talking about their kids’ grades, I need to get some more work graded, because one of my classes only has one graded assignment this semester. And I’m ashamed of that. Or I would be, except the reason is that I had to read through 120 essays for my AP classes, and that took up quite a bit of my time. So I just haven’t gotten to the grading yet. I will.

Am I complaining? I don’t mean to complain. Lots of people have it much harder than me; here I am in my white-collar bourgeois job, talking about how much work I have to do, when there are people working 12- and 15-hour days, sometimes more, sometimes at more than one job. And I don’t even have kids. Well, other than the pets. That reminds me: Samwise needs to get groomed, since I never had a good chance to really brush out his undercoat. And I should brush his teeth more. I keep forgetting to do it more than once a week. I don’t want him to get cavities.

Right: speaking of cavities, I need to make an appointment for myself at the dentist. At least I finally remembered to ask at school if anyone knew a good dentist on this side of town, now that we’ve moved too far away from our last dentist, who overcharged us, anyway.

Oops – hold on, I need to go wake Toni up. I’m up early. Insomnia and all. Good thing I have coffee.

What was I talking about? Right, the dentist. I need to get my hair cut, too. And I really should go to the gym more often; but we want to ride our bikes down there, because Toni hates the treadmill (Valid), and that means I need a new inner tube for my front tire. What the hell is with those Presta valves, anyway? They never had that shit when I was a kid. Freaking thing doesn’t work at all. Last time I went to get a new tube, the guy at the bike shop asked which valve I wanted, Schrader or Presta, and I forgot which was which and asked for the wrong one. Stupid thing can’t hold pressure at all. So I need to get to the bike shop, too. Gotta lose some weight: every time I look in the mirror before my shower, I am reminded that I am 42, and those Cheez-its don’t just melt off, any more.

Jesus, I’m 42. This was going to be the year (Answer to life, the universe, and everything!) that I published my novels. I mean, it should have happened fifteen years ago, but I didn’t have a finished book then, and by the time I did, I couldn’t get it picked up by an agent, nor any of the three books since. I gotta get some writing done. I’ve got the book planned out, and a first draft probably ¾ done or a little more; then I’ll need to edit it and get Toni to do my cover art, and then I can upload it to Smashwords – is that it? Or is it Smashbooks? I’ll find it – and then I can start advertising and hopefully selling some books. That would be nice. We could use the money. Our tax return wasn’t all we’d hoped it would be: Toni started teaching full time, which is awesome (For the money, at least; the stress is not so good. I hate watching her go through all that. I wish I could help more.), but she only started in August, so we made just enough more last year to make it into a higher tax bracket. I mean, we’re doing great month to month, but we’d like to do some things we’ve been putting off, like getting a new computer. Right: I need to research computers. Maybe get out to Best Buy. So yeah, I’m hoping to get some sales and make at least a little bit of cash. That means I’ll have to advertise.

Which means I need to work more on the blog. And my Twitter. Maybe I should start an Instagram? I don’t know, though, I can barely keep up with my Twitter feed. It’s been filled to the brim and beyond with everything our new Vainglorious Leader has done. I should write about that. DeVos got confirmed yesterday, and I have an opinion on it – though maybe not what one would expect from a liberal teacher such as myself – and it would make a good blog. Maybe I can do it after school tomorrow.

No, wait, we have that extra meeting after school tomorrow. Dammit, it’s already Wednesday; I wanted to get at least three blogs posted this week. I thought I had one last night, because one of my former students posted a link on Facebook to a survey he’s running about the current state of education under the new Headmistress; I took the survey and took my time giving what I hope were real, solid answers. Then I thought I could copy/paste my answers into a blog post, but it didn’t work: I got the questions and then a bunch of empty text boxes. Oh, and Facebook last night: Jesus, the argument I got into with my former student. Two arguments, actually: he posted one meme about illegal immigration, saying that we should follow Mexico’s lead and make it a felony punishable by 2-10 years in prison; and then another meme saying something about Muslim women taking advantage of our freedom of speech to promote a society that doesn’t allow them freedom of speech. Which is nonsense in like ten different ways: first of all, Muslim women have the ability to speak and be heard, even in the strictest traditional societies; they’re just expected to speak to their husbands and sons and fathers, who then go out and fight the fight for the women. I don’t think it’s the right way to do it, but it isn’t the kind of oppression that people talk about when they denigrate Sharia law. It’s funny, too, because there was another former student who posted a meme about how much money women make compared to men, and that discussion turned into him saying that he believes women should take care of the emotional side, the home side of life, while he goes out and does the dangerous stuff, the hard labor, and earns the money. And the guy arguing against Sharia law would completely agree with that, while simultaneously arguing that Sharia law – which essentially does exactly that, precisely what conservative Americans think should be the proper division of labor across gender lines – is the worst thing ever to happen to women. And I should have been grading (I was, in between comments), but I think it’s important that we stay involved politically, and another friend of mine and I were discussing how we break down biases and prejudices that cause all this contentious factionalism, and we agreed that it requires us to engage genuinely as often as possible. And so I didn’t want to walk away from the arguments, even when they quickly stopped making sense.

Then the next thing you know, it’s 10:30 and we had to go to bed. Long day today.

Which was made longer by the insomnia. Which was annoying because I wasn’t thinking of anything useful, wasn’t plotting out my next chapter or planning my classes; I was just thinking about what’s happening to the Gallaghers on this season of Shameless. I think it just shows that I haven’t been writing enough: I’m caught up in the stories I’m watching. Though I’d like to be watching more – still haven’t seen Rogue One. Would rather go on a weekend, but Toni’s been sick two of the last weekends. It’s horrible, because she had a nasty cold over Winter break, too – and she had the flu during Fall Break. You believe that? Her first year of teaching, and she’s been sick through every vacation, and a couple of other times in between. It’s the stress: it’s messing with her immune system. We need to get to the gym and work some of it off. Gotta get that bike tire. I mean, it’s bad enough that it’s her first year of teaching; on the plus side, she’s done a lot of subbing and whatnot over the years living with me, and she knows so freaking much about her subject – art, of course – that she could teach it blindfolded and with one hand tied to her feet; but see, the last art teacher at the school retired last year in the middle of a conflict with the administration (She wasn’t the only one, either – we’ve lost at least four teachers in the last three years over conflicts with this administration.), and so she apparently decided to teach the school a lesson: she emptied out her classroom. Took all her lesson plans, all her classroom materials, most of the good art supplies. Didn’t leave any instructions about how things worked, how to do purchase orders or field trips, none of her art history materials – nothing. Even though she knew Toni was going to be taking over her job, and before we had talked about Toni doing student teaching with her, and she had said that she had books and folders and file cabinets full of great stuff Toni could use. All gone last summer. We figure she wanted her successor to fail, so the administrators would know what they lost. Which is, if I may say, fucked up on an epic scale. It means Toni has had to make up all of her curriculum herself, from scratch, without any support other than what little I and the other teachers can give her – which isn’t much because none of us teach art. Any other first year teacher would have quit by December. She’s making it work and doing a hell of a job. But she’s also having to work twice as hard as any first year teacher should, and that’s saying a fucking lot.

So we haven’t been able to go out on the weekends. Which is too bad: we could use the relaxation. Maybe this weekend.

Though I still have to do that grading. And we need to get the bird’s nails trimmed. Oh – and I should call Mom, see how she’s doing.

Shit –what time is it? I have to go. Have to make coffee for Toni. Then eat breakfast, and then head to work. Did I remember to grab that Papa Murphy’s coupon? Yeah, right, it’s on top of that form I need to fill out for my absence tomorrow, for the English teacher meeting. I gotta find that test for AP. I hope the paper gets in today, or I’m screwed. Maybe I should just rush straight to the copier and do all my stuff before the last paper is gone. But I may need to talk to the others about the standardized test results. And I gotta finish those grades before tonight.

Well, at least I got a blog written, right? Good thing I woke up so early.

I Suck.

I want to be honest. Want to clear the air.

We have a new president. And he may have many good qualities — though hope for that is fading fast — but there are a number of things about him that are highly disturbing. Perhaps the worst are that he is narcissistic, and indifferent to truth, facts, and transparency. And I don’t mean that as a cheap insult, a dig at him based on his political difference from me or even his appalling personality; I mean quite literally that he appears to be a true narcissist, in love only and always with himself; he really doesn’t seem to care what the truth is so long as he can spin it to reflect well on himself. So extreme arrogance, and dishonesty, are the fundamental issues here — though again, that may only be the scum on top of the cesspool. There may be worse stuff lower down. But for now, these will do.

I just got chewed out, a couple of days ago, by a former friend on Facebook for some of my bad habits. And it hurt, but only because he was right, and I have been fooling myself about those bad habits, pretending they aren’t as bad as they are, or that other people wouldn’t even notice them. Not true. I was lying to myself, in order to protect my ego.

I was like President Stump.*

(*I refuse to type his actual name on this blog. Here’s why.)

Okay. Not that bad.

The guy who tore me up is, let it be known, arrogant on a scale I can’t match, and also a manipulative, obnoxious fuckbiscuit. But that doesn’t matter: that’s for him to deal with, not me. I have to deal with me.

See, the thing is, I spend a lot of time on this blog, and in my fiction books, saying what I think is right. And that is an essentially arrogant stance to take. It is worse for me because I base my authority merely on my opinion of myself, and my ability with language. Which is nice and all, being able to string words together, but it certainly doesn’t make me right all the time: the words reflect thoughts, and to be really right words, they have to come from right thoughts.

However, as I was telling my class today, the only thing a writer can ever be sure of is his own opinion of his work. While writers should consider their audience, we can’t really know what people think of our words and our ideas (Which is why comments are always welcome and appreciated! Even critical ones, because then I know when to pull back on the stick.), we can only know what we think. I think my stories are interesting, which is why I write them. I think my insights are insightful, which is why I share them. It’s the only reason I can ever have to share what I write: I think it’s the right thing to say.

I don’t have a problem with that truth. I can accept that my interests are my best subjects, and that if I think something sincerely, then I will write about it better than something I pick because I think other people will like it. I don’t mind at all that other people don’t always like what I like. I accept the basic egotism of being an artist. But I don’t want anyone thinking that I see myself the way President Rump sees himself. I don’t want people to believe that, just because I act like I’m all that and a bag of chips with a philosophy degree, that I, too, am a fuckbiscuit. I’m not.

So here’s the truth.

I’m arrogant. I think of myself as more intelligent than most people out there. I recognize that other people have knowledge and abilities that I don’t, and I know there are things I know nothing about, and could not learn; but I also think those things aren’t as important as what I know and what I’m good at. I have no valid reason for this belief; I just think it because it makes me more awesome. I think fast and I talk fast and I write fast, and voluminously, excessively, mind-numbingly, all three. Too much. All three. What I don’t do enough of is — listen. Read. Learn. If true wisdom is knowing what you don’t know, then I’m an idiot: because I think I’m a genius.

I argue this way. I don’t read carefully enough what my opponent has to say, I just — and this hurts to say, because I tell my students they should never do this — I find a flaw in the argument and then I attack it. I don’t pay attention to the rest of the argument, as long as I have my weak spot to stab at. I elevate my diction in order to seem objective, but really, it’s a cheap dodge to cover the basic flaw of most of my arguments, which is this: I’m making it up on the spot. I don’t have a whole lot of basis for a lot of my opinions. I think they make sense, and I strive to make them make sense, but there’s not a lot of foundation underneath the surface. I am logically shallow, just good at poking at weak points, and also talking really fast and saying a whole lot that doesn’t have much substance behind it. Sounds good, though. Well — to me.

I teach this way. I do not prepare very much, because I know I can entertain a class, and give them at least a veneer of insight that I come up with pretty much off the cuff. But I don’t read literary analysis, nor pedagogy textbooks, and I don’t try to improve what I do on a fundamental level. I change around what the classes read, and when I remember an insight from a past class (I do have a good memory, which helps) I add it in; but the aspects of my teaching style that don’t work very well stay in place because I don’t do the work necessary to change them. Largely because I think that my system is just fine. Because it’s my system. And I’m arrogant.

I write this way. I don’t edit much, or do a whole lot of drafts; I haven’t studied writing other than studying literature. I know there are flaws in my writing — I talk too much, mainly — but I don’t try to fix them. Because the way I write is fine, because it’s the way I write, and surely that’s good enough. My lack of tangible success is a reflection of the world not seeing my genius; not any reason why I need to change.

Along with arrogance is this: I am lazy. I am damned lazy. I know about my bad habits, but I don’t change them, because it would require effort. I thought about doing my exercises tonight, but I just had Cheez-its, instead. I planned to read much more this year, but so far, I’ve mostly spent time playing mindless video games. My usual habit is this: I recognize a problem with my arguing or teaching or writing, or with myself and my lifestyle; I castigate myself for a little while, until I feel like I’ve suffered enough angst for the flaw — and then I tell myself that I can’t change who I am. Then I start building rationalizations, false justifications for just staying the way I am. Not because I think my flaws are good — but because I don’t want to put in the work to change them. I don’t want to edit my writing. That’s hard. I’d rather just bang out a single draft and call it good. Well, really, I’d rather play mindless video games and listen to Hamilton.

I think the best word for me is glib. I react quickly and perhaps wittily, but without a whole lot behind it. I don’t think about things for very long, and I don’t spend time trying to learn what I don’t know. I am facile, and perhaps charming, and so I get encouragement from the people around me, which confirms for me how cool I am. Though I don’t really need that: because I know I’m cool. And my opinion is enough. Anybody who thinks less of me is clearly wrong and probably a jerk.

There’s more: I have a pretty serious temper, and I tend to cover it until I blow, usually without warning, and then I yell and curse a lot, pitch a fit, and then withdraw to feel put-upon and pouty. I can genuinely hurt people when I blow — I have scared students by yelling loudly; I have hurt the feelings of those I love: I have said terrible things to my wife, to my friends, and to my brother and my parents. I have yelled at and terrified my pets, throwing things and hitting things to make loud noises. I’m sarcastic, and often insulting, particularly in argument. For a guy who wants to be honest and usually claims to be fundamentally honest, I sure lie a lot. Mostly to students. Sometimes it’s even justified. And, obviously, I’m a hypocrite: I criticize other people for not being open-minded, for not trying to learn and improve, and then I sit back on my steadily widening ass and eat more Cheez-its. I talk about the importance of deep thought, and of honesty, and of valid, genuine argument. And then I do all the shit I do.

I am sorely tempted to finish this up by talking about my good qualities. But I think for once I will stop myself from going on. This is what I wanted to say: in a lot of ways, a lot of really important ways, I suck.

Just thought you should know.

A last postscript: it is — I don’t know, probably? Definitely? Surely? — true that the fuckbiscuit isn’t really that arrogant. It’s just that he had the gall to point out my flaws, and be right. (He basically said I talk faster and more than I think, get snotty to cover up my own confusion which is caused by my tendency not to take my time and think things through, and that I insult my opponents and then act put-upon and pissy when they call me on my own bullshit. And that I do this so I can stroke my ego, not so I can actually learn or improve myself or my opinions, which is why I claim to argue. So, I’m a liar, too. All true.) And I don’t like the way he did it, but then, it was effective, and I’m not sure that another approach would have been. So if he is manipulative, it might have been, really, for my own good.

Though I’m not taking back the “fuckbiscuit” part.

 

Further postscript: I recognize that this post seems like a confession that puts the lie to what I’m confessing — I can’t be that arrogant if I talk about how much I suck! I can’t be a liar if I can be this honest! — but this is one step back from years of these bad habits. I don’t think it balances the scales. I really am all of these bad things; this post is just an anomaly. I want to say that I’m working on these things, and maybe I am. But maybe I’m just going to eat more Cheez-its.

On The First Day of Christmas, Dusty Blogged For Me . . .

Merry Christmas!

(I really like this one, too: )

No, really: Merry Christmas. And Happy Hanukkah. And Heri za Kwanzaa. And a joyous Milad un Nabi. And a blessed Solstice. Happy Holidays to everyone, for whatever reason you have to celebrate. (A special happy birthday to people born around the holiday season, since you normally get left in the cold. You rule the Yule.)

I’m saying this because I had trouble finding a reason to celebrate this year. No, that’s not true: I have a dozen reasons to celebrate; but none of them are related to Christmas. (My reasons: my wife, my dog, my bird, my tortoise; my family and friends; my house, my books, my favorite things; my health and the continued existence of this reality and this planet and this country; art and words and truth and beauty. Oh – and coffee. Always coffee.) So I had trouble getting into the holiday spirit this year. I didn’t want to sing along with the Christmas carols; I didn’t help decorate the tree; I didn’t wrap presents until Christmas Eve. I wore my holiday stuff and I put up lights on the outside of the house, but it didn’t really excite me. I wasn’t feeling it.

A little bit of that is that Christmas is not a particularly beloved holiday for my wife Toni, and so walking around belting out “Walking in a Winter Wonderland” is not the joyeaux occasion around here that it might be in other homes. But even if she was Santa’s favorite elf (Back off, Kringle – she’s mine), I wouldn’t have felt much like doing that.

Because it’s 2016. And John Glenn just died. And Trump will be president in less than a month. And civilians are being killed in Aleppo.

And for me personally, it’s been hard because I had school up until the 22nd, and was still fiercely grading and doing schoolwork on the 23rd, when grades were due. It’s hard to feel Christmas-y when you’re reading bad essays. It’s not much easier when you’re reading good essays, when you have to grade those essays.

Here’s my Christmas wish: I wish that I was permitted to write, on the papers of students who clearly didn’t read Fahrenheit 451 with the class but still write on the test that Bradbury’s dystopia won’t come to pass because people in our society still read, “You stink of lies.” Or maybe, “It’ll be your fault when it happens.”

See? Feelings like that have no place in Christmas.

But you know what I realized? They kinda do.

I’m not a religious man. I don’t actually care about the birth of Christ. Oh, I have no problem with it: Jesus was a good dude, as I understand it; he’s in a couple of my favorite books (Lamb and Kevin Hearne’s Iron Druid series – though his big one is not one of my favorites. Never read that. I hate it when they number paragraphs. Feels like a reading comprehension test.), and I like what I know about what he had to say. But it doesn’t put rum in my eggnog, if you follow me. Nor does the birth of the Prophet Mohammed matter to me, nor the miracle of the lamp, nor the longest night and the shortest day of the year. Though that last one is pretty cool. And I do like the idea behind Kwanzaa, namely community and cultural celebrations. But it’s pretty generic for me, not being African-American: my culture has never been threatened, other than by our own cynicism and sarcasm. And our exceptionalism and arrogance. And by – but we’re not talking about America here, we’re talking about the holidays. The holidays – including New Year’s, by the by, which annoys me much more than it pleases me – are not terribly meaningful occasions for me.

So the only thing the holidays really mean to me is: there is stuff in there that I like. More than anything, I like my vacation. So very, very much. I actually finished a book yesterday, for the first time in more than a month. Me. I haven’t been reading books. What does that say about my job? My time management? My choices in life?

No: we’re not talking about that crap, either. We’re talking about things I like about the holidays. I like singing along with the songs. I like knowing all the words. I like decorating my house, especially with lights. My neighborhood is very dark – no streetlights – and the Christmas lights really shine. I actually really like having a tree inside. I love giving presents, and I like sending greeting cards, though I’d rather be more selective and intentional with it (And I’m annoyed that all of my relatives sent my Christmas cards to the wrong address.), because sending a card with a canned comment about the holidays doesn’t make me happy; I’d rather send cards that I know people will like, with thoughts inside about that person, just because that person will like the card and I might have been thinking about them; whether it’s actually a holiday card or not is pretty irrelevant. I would like it more if it wasn’t, actually; if the person and the card were the only occasion necessary for the sending. I like wearing goofy holiday-themed clothes, though I kind of always wear goofy themed clothes, because I don’t really own any t-shirts that aren’t printed with either a pop culture reference, a bad pun, or something about books and reading and imagination.

Do you see what I see?

Here it is.

It doesn’t matter that it’s Christmas. I mean, Merry Christmas, especially if that is a day of great meaning and symbolism for you; but you know what? Happy December 26th, too. And March 9th: my very best wishes for that day. Oh – and the eleventh of June. That’s a good date. The 21st, too; of every month. It doesn’t matter that today is Christmas because it doesn’t matter what day it is. What matters is that this is a time of year when we stop our usual grind and do things that make us happy. People who love seeing their families make time to do it around now. We give presents, and cards, and wish people well. We actually use the mail, and get excited about things arriving in the box. We decorate, especially with bright colors and lights. We take vacations: we take time off from work and do things that we like to do, like bake, and sing, and watch favorite movies.

My God, we need those things more in our lives. Especially because it’s still 2016, and Carrie Fisher had a heart attack, and there’s a typhoon hitting the Philippines. And Trump’s going to be president in less than a month.

There’s an important thing that I have to say. Are you listening? Okay, here it is: I wish people happiness because happiness is good. But sadness is good, too. (I know this because I paid attention when I read Fahrenheit 451. You bunch of tools. My students are the tools, not people who are reading this. If you’re reading this, then you rock. You really are the reason we will hopefully avoid Bradbury’s dystopia, where the books are banned and the people don’t care.) Sadness is important. And not just because you need to feel sadness in order to understand happiness; I suppose that’s true, but I can’t say that I have any experience with being happy without being sad, so who knows? No: sadness is important because sadness is a genuine human emotion. When you are feeling sad, then that’s you, and that’s you feeling. Those are important. You have to be yourself. You have to feel. You have to experience all of your feelings, even the dark ones.

Christmas is a time of sadness. First just because it’s winter, and it’s cold, and it’s dark. Sometimes because we can’t do the things we want to do, because of job or money or circumstance. Sometimes because it reminds us of people who are gone. That last is a genuine feeling, and an important one. Don’t belittle grief just because everyone around you is wearing a light-up tie. It may be difficult to live with sorrow in the face of so much ostentatious cheer, but it’s better to do it than try to ignore what you feel or block it out. And your sorrow is not wrong, nor is it less important than someone else’s joy.

Here’s another reason why Christmas makes people sad: because of Christmas traditions. Because traditions become obligations, and then when we don’t keep them, we feel like we have failed. That’s why people risk their lives to drive through blizzards to be in a specific place on a specific day; because that’s their tradition. People put themselves deep into debt, and then spend the rest of the year fretting about it; because that’s their tradition. People whose traditions include things that are gone, and people that are gone, get to both grieve and feel like failures.

Bullshit. Traditions should only be maintained if it pleases you to do so. If it doesn’t, make up new traditions. Or screw tradition: do whatever the hell you want. That’s what the holiday spirit should be about: do whatever the hell you want, just because it makes you genuinely happy. Start with being nice to people. Every year, we all see the news stories about someone getting robbed, or mugged, or assaulted, and we all say, “You shouldn’t do that to someone during Christmas.” And then we all think, and maybe say, “Well, really, you shouldn’t do that to someone any time.” That’s right. The holiday season should be a time when we think about, and act with, kindness and generosity, more than any particular religious observance; and every day should be the same.

Because it doesn’t matter that it’s Christmas. A day for giving and for cherishing those that you love can be – should be – any day. Every day. And if today is a day when you feel sad, do that. Feel it. Go through it. And then make some cookies, and read a book, or call someone you haven’t talked to in a while. Feel better for having felt bad.

Have a happy today, everyone. I wish you all the very best.

And the same again, tomorrow.